Showing posts with label drugs. Show all posts
Showing posts with label drugs. Show all posts

Monday, December 13, 2010

miley cyrus as a role model and a bong


miley cyrus was a child star on disney, and had a hit TV show called hanna montana. watched by millions of children from around the world. Whatever miley cyrus did, her fans wanted to do. Whatever miley cyrus wore, her fans wanted to wear. Whatever miley cyrus ate, her fans ate. Now that miley cyrus is seen in video's all over the internet smoking a bong, getting high, and tripping out while laughing, smiling and appearing to have a good time, all the little girls and teens that considered miley cyrus a role model, all want to smoke a bong and get high like miley cyrus.

The problem is that parents trusted disney and their wholesome and innocent image, but now the trust is destroyed. The wholesome values that disney portrays, put to much trust in their brand-able celebrities like miley cyrus, and when the bong video could not be covered up and made to go away, the effect is DAMAGE.


As a parent, the damage is the fear that my children will now want to do what miley cyrus did. Children cannot differentiate between hanna montana the character and miley cyrus the drug user. If she appears happy, smiling and having a good time, than all the children will want to follow suit.

regardless of the herb of choice for miley cyrus being legal, illegal, medical or for medicinal purposes, this glamorizes drug use to a very young audience, and this is frightening.

If you are a parent or if you are a teen or tween, you must understand that what miley cyrus did was careless, reckless and wrong. miley cyrus and disney tricked you into thinking miley cyrus was safe to watch, safe to want to be like her, when the reality is that hollywood destroyed her. While you cannot be watched at all times, and your parents cannot be with you at all times, it is up to you to make the right decisions in life.miley cyrus made the wrong decisions in life, but it hurt our children more than her.

miley cyrus, could have easily been raped, abused or killed after getting high of her own doing. miley cyrus could have over dosed or reacted in a way that could have killed her. If miley was on a roof top, she might have jumped, or lost her balance. People that miley cyrus considered to be close friends, video taped her, made her look foolish and exposed her to try to blackmail her after the fact, to make the incident go away.

You should not only look at the damage to your life, the risk you take, but the company of friends in which you keep. If you saw the video of miley cyrus, than you should learn the dangers of doing drugs. The danger that you cannot trust the people around you, and you cannot know how the drug will affect you.

Stay away from drugs and stay away from miley cyrus. miley cyrus cannot be trusted to look out for you, and above all do not say I want to be like miley cyrus, because she is not a good role model. The trust is shattered.

Rob Tencer

Tuesday, March 30, 2010

Lady Gaga exposed by NY Socialites she grew up with



Lady gaga explains her passion for lying
“What I’ve discovered,”is that in art, as in music, there’s a lot of truth—and then there’s a lie. The artist is creating his work to make this lie a truth, but I slide the lie in, amongst all the truths. The tiny little lie is the moment I live for, my moment. It’s the moment that the audience falls in love with me.”

Lady Gaga exposed by NY Socialites she grew up with, who say she lies about many things.
by: rob tencer

In a recent cover story about Lady Gaga, in the new york magazine by VANESSA GRIGORIADIS, Vanessa further dissects, and exposes the making of a pop star who became lady gaga.

NY Socialites say lady gaga is a liar about almost everything
Vanessa, goes out of her way to ask new york socialites whom lady gaga went to school with and others that lady gaga grew up with, the truth.

More often than not, her friends have a complete retelling of the history of lady gaga, far from the lies lady gaga has repeated over and over. Its these lies that lady gaga tells, to make us love her more. Does that make her lies and deceit any more palatable?

I really loved Vanessa's article, because she was very honest in her approach, satisfying the lady gaga fans while also satisfying the people who dislike lady gaga. Thank you Vanessa for getting to the truth about lady gaga's insatiable appetite for lying.

lady gaga secret starvation diet to become famous
Vanessa explained about lady gaga's drug use and how lady gaga really lost all her baby fat. Vanessa seems to think lady gaga was on a starvation diet, while lady gaga says she mixed starvation with cocaine use, to lose the weight. Lady gaga said: “Pop stars should not eat” (when you hear these words and see the violent negative images purely for shock value, the parents of kids who love gaga, should think twice about allowing this person, her message and filth into their lifes) Lady gaga describes herself as growing up several sizes fatter than she is currently. (this is supported through photographs and video's) It is not clear who pushed starvation on lady gaga. Was it was the record companies who demanded the weight loss, or some boyfriends, or what America demands of its celebrities. What is clear is that lady gaga is unhealthy with her starvation diet, and may die prematurely because of exhaustion.

lady gaga has an ugly nose
She was young, skinny, and blond, but she had a prominent Italian nose, the kind of nose that rarely survives on a starlet. Vanessa hints that lady gaga had plastic surgery.

lady gaga sexuality and the lies to shock people
New York socialites that went to school with lady gaga said she was not a lesbian, and was very into guys. Venessa goes further once again to say that lady gaga was into dressing like guys. To be more exact, she liked to dress like guys who dressed like girls. transvestites in heavy makeup.

lady gaga had no style of her own
Vanessa interviews lady gaga's friends she grew up with, that said she has no style and that unlike madonna, she kept missing her breaks in life. vanessa said people were actually embarrassed at the way lady gaga dressed in sweats. Gaga wasn’t into fashion at this point: She liked leggings and sweatshirts, maybe with a shoulder out. “A couple times, she came to the studio in sweatpants, and I said, ‘Really, Stef?’ ” says Fusari. “ ‘What if I had Clive Davis in here today? I should call the session right now. Prince doesn’t pick up ice cream at the 7-Eleven looking like Chris Rock. You’re an artist now. You can’t turn this on and off.’ ”

does lady gaga have real opinions that hurt?
While lady gaga plays down her dislikes, and only talks about love, happiness, fun and games, it was Vanessa who got the real girl behind lady gaga to reveal “I don’t like Los Angeles,” she told me. “The people are awful and terribly shallow, and everybody wants to be famous but nobody wants to play the game. I’m from New York. I will kill to get what I need.

lady gaga and the stage voice for public speaking
Vanessa, goes in depth about this game that lady gaga plays, and says that lady gaga has a stage voice which is different than the real lady gaga, however it was early in lady gaga's career and she has since learned to only show the game. As we began the conversation, Gaga spoke carefully in a very odd accent—some combination of Madonna as Madge and a robot, an affect enhanced by the fact that she refused to remove her lightly tinted sunglasses over the course of two hours. As we began the conversation, Gaga spoke carefully in a very odd accent—some combination of Madonna as Madge and a robot.

lady gaga explains why she lies so much
lady gaga said: “What I’ve discovered, “is that in art, as in music, there’s a lot of truth—and then there’s a lie. The artist is essentially creating his work to make this lie a truth, but he slides it in amongst all the others. The tiny little lie is the moment I live for, my moment. It’s the moment that the audience falls in love.”

was lady gaga from a wealthy ny socialite family or middle class new york family?
lady gaga tells lies to further her mystique, and she even said so, which is why we have good reason to question her made up stories of how she grew up, and if she was in fact a privileged new york socialite trust fund kid? To hear lady gaga explain how she went to an upper class new york private girls school, may not be accurate of how she really attended, because her classmates refute many of the stories / lies. One of the lies is lady gaga describing herself as not fitting in, and an outcast, while her classmates describe her as a very popular girl in school.

what is the truth about lady gaga's parents wealth?

Did Stefani Germanotta really grow up in a duplex on the Upper West Side? Was Stefani Germanotta's father just a computer installer who ran a company that installed Wi-Fi in hotels? (Wi-Fi is a fairly recent phenomenon, and only required a router and antenna, connected to a high speed connection.) Was Stefani Germanotta's mother an employee at Verizon. Were the parents really working class people with low level jobs, who sacrificed to send their children to a good school, or does it just make for a great background story? knowing lady gaga, it sounds all made up.

how did Stefani Germanotta really get into sacred heart private girls school?
Sacred Heart, is a small Catholic girls’ school up the street from the Guggenheim. “Sacred Heart may have been prestigious, but according to Stefani Germanotta, "there were lots of different kinds of girls,” says Gaga. “Some had extreme wealth, others were on welfare and scholarship, and some were in the middle, which was my family. All our money went into education and the house.” whats the truth? what are the lies?

lady gaga furthers the little poor girl angle
once Stefani Germanotta started the lie of a poor little girl angle, she had to continue the theme of how important material items are to her, and how much she covets what she could never afford. Lady Gaga tells a poor girl story, of being the only student with a job after school, as a waitress at a diner on the Upper West Side. With her early paychecks, she bought a Gucci purse. “I was so excited because all the girls at Sacred Heart always had their fancy purses, and I always had whatever,” she says. “My mom and dad were not buying me a $600 purse.” Vanessa had no answers during her interview of Stefani Germanotta true family stature and wealth.

lady gaga fabricates her outcast personality
in being interviewed thousands of times, lady gaga begins to develop a fabricated story of being bullied and classmates calling lady gaga names like "the germ". lady gaga claims it was all about Jealousy, when she said:" jealous older girls began calling her “the Germ.” “They always talked behind her back, like, ‘Gross, she’s the Germ! She’s dirty!’ ” Gaga has often mentioned that she was an outcast in high school, but other than adolescent shenanigans like these, her friends do not share this recollection. “She was always popular,” says Julia Lindenthal, Marymount ’04. “I don’t remember her experiencing any social problems or awkwardness.”

lady gaga gets her first tattoo at age 15
lady gaga had her first tattoo: a G clef on her lower back. (“Before I made my first big music video, I decided to turn that tattoo into a huge side piece,” she says. “I just couldn’t face the world with a tramp stamp.”)

before lady gaga's starvation diet she had big breasts
“At that time, my breasts were much bigger, and firm, and delicious.” (Another high-school nickname: Big Boobs McGee.) but then she started to starve herself and do drugs, and she lost the big boobs.
Theft of iconic pop stars
Besides stealing iconic images from david bowie, liza minelli and even hiring the creative team behind madonna's iconic video's, lady Gaga channeled Andy Warhol. She stole his iconic round black glasses and his wigs, and started talking like him. “It’s as if I’ve been shouting at everyone, and now I’m whispering and everybody’s leaning in to hear me,” she says. “I’ve had to shout for so long because I was only given five minutes, but now I’ve got fifteen. Andy said you only needed fifteen minutes.”

How many friends and helpers did gaga dump to become famous?
The bitterness of friends lady gaga once counted, turned sour when she dumped them. Its not that she reinvented herself without them, its that she has a cruel and mean streak, and cannot be trusted. With her new lies, came a new circle of friends. She started her own Andy Warhol styled Factory, or the “Haus of Gaga,” as she likes to call her entourage. There’s Ã…kerlund; Gibson; her manager, Troy Carter; and the core team of stylist Nicola Formichetti and her primary collaborator Matt Williams, an art-school graduate whom she calls “Dada” (they have dated on and off during the past couple years).

after a couple charted hits the fashion designers came knocking
In May 2009, after lady gaga released “Paparazzi,” a seven-minute video—thrown off the top of her mansion by her boyfriend, she’s reborn as the robot from Fritz Lang’s Metropolis—she became the haute-fashion world’s pet. “Gaga had some archival pieces from Thierry Mugler, but after ‘Paparazzi,’ everything changed,” says a former member of the Haus. “It happened in the blink of an eye. Suddenly, every fashion designer in the world was e-mailing her images.”

wigs make great drama
lady Gaga figured out if she copies andy warhol with wearing wigs, she could become dramatic to the press and interesting to the public. If she could steal the lightning bolts from david bowie's face makeup, and the wigs he wore, she would look different. After all, it was from the seventies and none of her young audience ever saw anything like it before. The theft from iconic superstarsd, becomes lady gaga's trademark.


lady gaga says anyone can do what she has done
Vanessa writes:"It’s an unlikely rise, and an unlikely name, and a totally unreal image. Lady gaga comments “I believe that everyone can do what I’m doing. I’m just a girl from New York City who decided to do this"

While reading the story from new york magazine, I realized that lady gaga must have been reading the rob tencer public relations how to guides, which are almost word for word on how to become a famous socialite. In the how to guides, rob tencer explains how to talk differently, how to walk differently, how to dress using props, how to control a room and direct all the attention to yourself. while in most wordpress blogs, you can change the date the post was made, in google blogger, you cannot change the date. Some of my other proof was destroyed when robtencerpr.com was hacked and the site was deleted, before its reincarnation.

I don't take the credit for lady gaga, or even simulate that I had anything to do with her. Using whatever angle is necessary to become famous is all I ever preach, without causing harm to yourself or others. I also believe it does not matter what you look like, fat or thin, tall or short, or what you sound like. everyone can become famous, if they figure out their talents and let the world know about them. Lady gaga has a real talent for singing, and this talent has not even been on display, besides the youtube videos of some pre-gaga performances.








Saturday, February 7, 2009

Celebrity talent vs. Celebrity beauty – can you have both? - another look at tattoo art

WARNING TO PARENTS: Your children want or already have tattoo's on their body.


When I last wrote about tattoo artwork on the bodies of young famous women, like Megan Fox, Angelina Jolie, Britney Spears, Anna Kornikova vs. young celebrities who don't have tattoo's, I had no idea of the interest this would have throughout the world.

Anybody can be infected by the tattoo disease that is spreading like chicken pox.

In the last article titled "Celebrity talent vs. Celebrity beauty – can you have both?" I may have poked fun at the idea that you should wait until your established and famous, before tagging your body with tramp stamps, tribal tattoo's, sailor Jerry retro artwork for rockabilly and swing fans.


I think what I failed to realize is, how mainstream tattoo's are in our pop culture and America's youth of today. Thank god I have the gene, that gives me strength to not give into peer pressure, because I somehow did not follow the trend. I don't have tattoo's like so many people do, and not just one tattoo did they follow their friends with, but they have several tattoo's.



This new low class breed of followers, is our youth. The youth of today are thoughtless followers that shame their parents and society. This is the same youth of girls with no self worth and no self confidence whom lack control of their bodies. They choose to be promiscuous before they even finish high school.

Is this an infection? The youth of today are definitely infected
by this disease called tattoo's.

Some adults, afraid to grow old, run to stay trendy by showing they have what it takes to stay young, and are getting tattoo's at an unheard of rate.

Why do African American women get tattoo's behind their ear's?

I guess what I am trying to say is that even though you are mutilating your body, and destroying your natural beauty, it is to much in the mainstream to argue with its acceptance.

What I can say for the year 2009, is that employer's will not hire people who have visible tattoo's. So please put them where the sun don't shine, and hide the ghastly ones, you disenfranchised slacker losers.

"A new study out of Texas State University reports that people with tattoos and body piercings are unpopular at the office. Folks surveyed said that they would rather not work alongside people with lip rings and tramp stamps that would be the tattoo above the lower back that many Hollywood starlets favor.

Even worse, the people with tattoos and body piercings didn't trust their own. A survey of more than 150 people revealed that even those adorned would think twice before buying business insurance from someone with tattoos and piercings.

This discrimination reminds me of the daft women who won't vote for Hillary Clinton solely because she is a woman. Shouldn't the inked and pierced support their own? Reuters reports more here, including the fact that 30 years ago, only one percent of the population had a tattoo. In 2006, 24% of America had gotten inked.

Foreign kids want to be like American Teens.

So if you don't want to come across as an undesirable loser, or a drug addict or alcoholic who got a tattoo while they were drunk or on ambien's, HIDE YOUR KEYS AND YOUR WALLET FROM YOURSELF.

Tuesday, August 26, 2008

why do the rich and famous follow the same habits as other rich and famous?

Some questions we will explore in the next few blogs on 10021 NY socialites are:

Why are the rich and famous interested in polo?
Why do the rich and famous shop at barneys and neiman marcus?
Why are the rich and famous interested in
Why do the rich and famous buy expensive and exotic cars, and then drive under the influence of alcohol or prescrition drugs.
Why do the rich and famous live in NY?
Why do the rich and wealthy OLD money hunt, shoot and kill animals?
Why do the rich and famous eat expensive food?
why don't wealthy people have trainers to keep themselves thin?
why do the rich and famous love prescription pharmaceuticals?
why do the rich and famous love wine?
why is there so much money in dubai?
why do the rich and famous have trophy wives?
why does every trust fund baby want to be famous?

Keep reading 10021 ny socialites and the stories of rob tencer for answers...

Tuesday, November 20, 2007

how to stop leaks in confidentiality. celebrities and socialites must have loyalty in their staff and friends.

Money is a strong motivator in breaking down the trust and loyalty of a long time employee of a VIP, whether they are celebrity, socialite or CEO. The contracts you had your staff sign when they begun working for you, mean very little to a person with nothing to lose. While you lose your pr ivacy and what turned out to be your ill kept secrets. Regardless of your privacy having to do with dug addiction or alcohol addiction, or infidelity with a man, women or children, embezzlement, or other forms of cheating or hurting people, these are true secrets worth paying the ransom for to keep secret.
Now that you know what your up against, the only thing you can do to thwart the stench, is to gain loyalty from whom you hire. With loyalty, it would not matter how big the carrot dangled in front of them.

The following is a reprint from a law journal on the very real problem you face no matter who you are.
last note: rob tencer is a very loyal publicist and sober companion, and is available for consultation. kindly send your request for assistance to: rob tencer

ISSN 1748-944X

Celebrity/Employee Confidentiality Agreements: How to Make Them Work

Paul Nicholas Boylan

Attorney at Law, California; Visiting Professor, University Of Poitiers, France


Abstract

It has come to light in recent years that confidentiality agreements between celebrities and their employees do not effectively protect celebrity privacy. Even celebrities as rich and powerful as David and Victoria Beckham and Michael Jackson have been unable to use confidentiality agreements to stop the publication of embarrassing information. This essay first examines the problem and highlights the danger of focusing on privacy as the controlling interest motivating confidentiality agreements. This conceptual framework is applied to the confidentiality agreements drafted by representatives for David Beckham, Tom Cruise, Michael Jackson and Aaron Spelling. Mechanisms that might discourage employees from breaching confidentiality agreements, or to contain it should a breach occur, are discussed.


Introduction


It is a popular truism that with great power comes great responsibility. In the world of sports and entertainment law, it is equally accepted that with great celebrity comes the likelihood of great scandal. Sport and entertainment are businesses, and business solutions have been applied to prevent the release of scandalous or potentially damaging information. Confidentiality and non-competition agreements are standard in virtually every business transaction. They are particularly effective as between businesses and their employees (Radack, 1994; Pollick, 2006)

1

However, unlike other business transactions, confidentiality clauses have not been effective vis-à-vis celebrities and their employees. Footballer David Beckham’ s nanny signed four confidentiality agreements, but still revealed – with a judge’s blessing – salacious details of the Beckhams' private life to a notorious English tabloid,The News of the World. The late Hollywood producer Aaron Spelling’s personal aide attempted to sue him for sexual harassment, and the Spellings then countersued her for violating a confidentiality agreement – the details of which have now become public record (Richards v. Spelling (2006) Los Angeles County Superior Court, Case No. BC 346 448; (2005) Los Angeles County Superior Court, Case No. BC 343 518).

2

Even the secretive and thoroughly lawyered Michael Jackson could not rely on a confidentiality agreement to prevent his former wife, Deborah Rowe, from revealing details about his private life (Jackson v. Jackson, (1999) Los Angeles Superior Court Case No. BD 310 267). Rowe was less Jackson’s wife than she was his employee. She was essentially hired to provide Jackson with children and, once her work was done, her employment was terminated and any details of Jackson’s life she might have learned while in close proximity with the King of Pop were subject to a confidentiality agreement.

3

Why is this happening? Why are confidentiality agreements seemingly breached at will and with court approval? Is there any way to protect celebrities from employees who attempt to profit at their expense?

4

The answer to the final question is yes, there is a solution. But to understand the solution, it is necessary to first understand the subtle nature of the problem. It is important to realize that confidentiality agreements used within the sports and entertainment industries can be, and have been, successfully breached because those responsible for drafting confidentiality agreements make fundamental conceptual errors that lead to potentially devastating drafting errors. This essay outlines a conceptual frameworkfor confidentiality agreements and applies it to actual celebrity confidentiality agreements. In light of the offered analysis, this essay makes some suggestions for the development of effective drafting techniques.

5

Conceptual Framework


Before an attorney, an agent or anyone hubristic enough to believe they can draft a confidentiality agreement for a celebrity puts pen to paper or fingers to keyboard, it is important for the drafter to know why some agreements are effective and others fail. This knowledge is achieved by understanding the nature of the relationship between, on the one hand, the characterization of the interests the agreement is meant to protect, and on the other, recognizing the kinds of interests courts are likely to protect versus those that courts are not likely to protect.

6

Contracts are the natural product and fundamentally necessary building blocks of any endeavours concerned with business and commerce. It is fair to observe that the world is increasingly business oriented, and business relations are regulated and defined by contracts. In relation to the Western perspective, contract law has been a part of Western Civilization for a very long time. The Emperor Justinian’s Law Books – dating from the 6th Century A.D. - show that the Romans had a long familiarity with contract law. Present day Anglo-American contract law – which is spreading across the globe through such institutions as the World Trade Organization and world-spanning treaties such as the Agreement on Trade-Related Aspects of Intellectual Property Rights (aka TRIPs) has its roots in 12th Century England (Vynior's Case (1609) 77 Eng. Rep. 597 (K.B)).

7

Confidentiality and non-competition agreements use standard, contractual devices to protect an employer’ s financial interests (such as trade secrets, client lists, intellectual property, the list is endless) from being taken/misappropriated by an employee or former employee for their own, or a successor-employer’s profit (Radack, 1994). ‘ Misappropriation’ is the conceptual foundation underlying virtually all non-celebrity confidentiality agreements, with such agreements designed to prevent the minor party from misappropriating something of immediate or ultimate value that the major party wants to keep for itself (Finch, n.d).

8

Unlike contract law, privacy law is comparatively new. Privacy as a right is a modern idea, often implied from other rights and, at least in the United States, created by judicial activism. The very notion that people have a right of privacy is credited as beginning with a law review article written by Samuel D. Warren and Supreme Court Justice Louis D. Brandeis more than 100 years ago (Warren and Brandeis, 1890). The concept has been hotly debated in common law jurisdictions ever since. In Wainright v. Home Office [2003] 4 All ER 969 Lord Hoffman extensively analyzes the convolutions of modern privacy law.

9

The debate concerning the existence and application of privacy rights intensified when, as recently as 1973, the United States Supreme Court affirmed a woman’s right to abortion by implying a constitutional right to privacy between a woman and her doctor by examining the ‘penumbra of the Bill of Rights’ - despite a frank acknowledgment that the U.S. Constitution does not mention privacy as a right (Roe v. Wade (1973) 410 U.S. 113). Roe depended in part on a dissenting opinion by Brandeis in Olmstead v. United States (1928) 277 U.S. 438, 478. Ironically, Roe’s ‘penumbra’ conceptualization was borrowed from Justice Holmes’ majority opinion - which disagreed with Brandeis’ analysis.

10

The state of privacy law in England is even more recent and uncertain than it is in America. This is best illustrated by comparing and contrasting Campbell v. Mirror Group Newspapers[2003] EMLR 2 with Douglas v. Hello! Ltd [2005] All ER (D) 280. Both case struggle with English privacy law in relation to privacy claims made by different internationally recognized celebrities. Although the law applied is the same, the results are quite different.

11

Campbell v. MGN


On 1 February 2001, The Mirror – a newspaper owned by MGN, Ltd. - published a front-page story with a headline reading ‘Naomi: I am a drug addict’ . The article detailed Campbell’s private attempt to rehabilitate from drug use and featured photos of her attending Narcotics Anonymous meetings. Campbell sued for breach of confidence and received £3,500 in damages (Campbell v. MGN Ltd [2002] EWHC 499 (QB)). MGN appealed, and the appellate court discharged the trial judge's order on the grounds that the publication was within the public interest (Campbell v. MGN, Ltd [2002] EWCA Civ 1373, [2003] QB 633). Campbell appealed to the House of Lords (Campbell v. MGN Ltd [2004] UKHL 22).

12

The House of Lords agreed with the appellate court’s reasoning and held for the newspaper. Delivering the court’s opinion, Lord Nicholls of Birkenhead first noted that, unlike American law, English law does not recognize ‘an all-embracing’ tort for invasion of privacy, but English law has utilized equitable principles influenced by the European Convention on Human Rights (ECHR) to spawn a privacy-related cause of action for ‘ breach of confidence.’ Lord Nicholls went on to recognize that everyone has the right to a private personal life, but also noted that ‘…the touchstone of private life is whether in respect of the disclosed facts the person in question had a reasonable expectation of privacy.’ The Court went on to hold that Ms. Campbell did not have a reasonable expectation of privacy because she affirmatively sought out press coverage on the issue of her alleged drug use, and therefore did not have a viable cause of action for breach of confidence. The court essentially pointed out that Campbell lost her reasonable expectation of privacy – and therefore whatever privacy rights she had, if any – when she voluntarily thrust herself into ‘the vortex of public opinion (Boylan, 2005).

13

Douglas v. Hello!


On 18 November 2000, Michael Douglas and Catherine Zeta-Jones married at the Plaza Hotel in New York City. OK! Magazine licensed the exclusive right to all wedding photos, with the Douglases maintaining control over which photos were published. Security for the wedding was extraordinarily tight – to the point of being described as ‘paranoid’ - but an unauthorized photographer gained unauthorized entry into the wedding location. He took photos and sold them to OK!’s rival, Hello! Magazine. The Douglases obtained an injunction preventing publication pending a trial on the issues, claiming both privacy and economic interests that required injunctive protection.

14

On appeal, the court independently applied the same reasoning used by the Campbell court, first stating that there was no concrete privacy right under English law but recognizing that English equitable principles have combined with the Human Rights Act 1998 to create a ‘breach of confidence’ cause of action to ‘fill the gap’ in English law which is filled by privacy law in other developed countries. Similar to Campbell, the Douglas court opined that privacy is due where it can be reasonably expected.

15

But the Douglases did something that Naomi Campbell did not do: in addition to alleging the violation of their privacy interests, the Douglases claimed that their economic interests were at risk – which the appellate court acknowledged by noting that the ‘intrusion was by uncontrolled photography for profit of a wedding which was to be the subject of controlled photography for profit’ and that ‘the major part of the claimants' privacy rights have become the subject of a commercial transaction.’ The court discharged the injunction on the grounds that the Douglases could be compensated for their primarily monetary injuries through monetary damages.

16

The case tried in 2003. The trial judge, Mr. Justice Lindsay - attempting to reconcile English tort law, contract law and the ECHR- entered judgment in favor of the Douglases and granted a perpetual injunction on their breach of confidence claim; but he ruled against the Douglases on their breach of privacy claim (Douglas v Hello! Ltd [2003] 3 All ER 996). Justice Lindsay repeated that even though there is no English right of privacy, privacy is nevertheless granted where it is reasonably expected.

17

Hello! appealed the trial court’s judgment. Citing Campbell v. MGN Ltd, the appellate court, in a per curiam decision, repeated Justice Lindsay’s observation that the controlling principle was ‘whether there is a reasonable or legitimate expectation of confidentiality or privacy,’ then dismissed the appeal and reinstated the injunction against Hello! on the grounds that ‘[o]nly by the grant of an interlocutory injunction could [the Douglases] rights have been satisfactorily protected’(Douglas v. Hello! Ltd [2006] QB 125). The court of appeal also specifically recognized that the Douglases had taken steps that amounted to creating a ‘trade secret’ that Hello! had violated.

18

It is instructive to note that the steps the Douglases took to protect their privacy essentially created a trade secret as defined by TRIPs because their wedding pictures 1) were not ‘generally known among or readily accessible’ to any publication; 2) had commercial value because they were secret; and 3) were subject to reasonable steps by the Douglases to keep them secret (TRIPs, Section Seven, Article 39, Protection of Undisclosed Information http://www.wto.org/english/tratop_e/trips_e/t_agm3_e.htm).

19

Comparing Douglas v. Hello! and Campbell v. MGN, Ltd. shows the confused state of English privacy law. Due in large measure to the impact of Convention rights on English law, ‘privacy law’ mixes tort, contract, equity and regulatory law, thus boot-strapping a privacy tort out of breach of confidence theory and seemingly indicating that contract rights can take precedent over rights to freedom of expression. However, for the purposes of this essay, the Douglas decisions vis-à-vis Campbell are important because they show that i) English courts are uncomfortable when dealing with privacy issues; ii) the outcome of a case can depend on whether the interest being protected is privacy or money; and iii) that even within the jumbled state of English privacy law, it is universally recognized that the level of privacy afforded is proportionally related to a celebrity’s reasonable expectation of privacy.

20

As shown earlier in this essay, American privacy law is more settled than English privacy law. This is especially true in the various state jurisdictions within the United States, where – unlike the United States Federal Constitution - privacy is often, but not always, expressly enumerated as a state constitutional right, For example, California Constitution, Art I, s. 1 guarantees the constitutional right to privacy http://www.leginfo.ca.gov/.constwhereas the New York State Constitution does not include privacy as an enumerated right http://www.senate.state.ny.us/lbdcinfo/senconstitution.html. However, the differences between American and English privacy law, for purposes of drafting confidentiality agreements, are distinctions without any practical differences. Regardless of how privacy law has developed in any particular Anglo-American legal jurisdiction, one universal rule stands out: non-‘public figures’ have a higher expectation of privacy – and therefore more rights to privacy – than public figures (Boylan, 2005). In pragmatic terms, this means that the more famous someone is – i.e., the more they thrust themselves into the vortex of public opinion - the less likely it is that a judge will protect their privacy because the more famous a celebrity, the lower his or her reasonable expectation of privacy. Consequently, confidentiality agreements that focus on protecting a celebrity’s privacy rights are very likely to fail if and when judicially tested.

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Application of the Conceptual Framework


Failing to recognize the difference between monetary interests and privacy interests is the reason confidentiality agreements drafted on behalf of celebrities are rarely worth the paper they are written on. An analysis of celebrity confidentiality agreements shows that the failure to properly characterize the interest protected is a common mistake.

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Beckham v. Gibson


In August 2003, international footballer David Beckham and his former Spice Girl wife, Victoria, hired Abbie Gibson as nanny for their children. During her employment, Gibson executed four confidentiality agreements promising to keep secret the Beckhams' private lives. In April 2005, Gibson left her employment with the Beckhams ‘after an argument’. Despite her four confidentiality agreements, Gibson toldthe News of the World – a tabloid publication – that the Beckhams fought often about David’s infidelities and that the couple were close to divorce; the News of the World paid Gibson £300,000 for this information. The Beckhams attempted, but failed, to enjoin the News of The World and to enforce the confidentiality agreement.

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The confidentiality agreements between David Beckham and his former nanny, Abbie Gibson, are not yet part of the public domain, but collateral sources show that the Beckhams’ attorneys, in an attempt to enforce the confidentiality agreement, made the tactical and strategic error of attempting to justify injunctive relief as the means necessary to protect the Beckham family's privacy. Comparing the Beckham v. Gibson results with the Douglas v. Hello! results places the pragmatic differences between privacy and economic interests into sharp relief: the Beckhams’ request for injunctive relief to protect privacy interests was denied; the Douglases' request for injunctive relief to protect contractual monetary interests was granted. The News of the World argued that disclosure of the information was within the public interest because the Beckhams intentionally sought publicity and ‘made millions’ projecting the image of a perfect, happily married couple, when that was not the truth, Naomi Campbell v. Mirror Group Newspapers [2003] EMLR 2 holding in part that, when a public figure lies, a newspaper may publish private information about the celebrity ‘to put the record straight’.

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Rowe v. Jackson


In 1999, Michael Jackson and his wife, Deborah Rowe, entered into a stipulated divorce agreement wherein Rowe gave up her rights to child custody of the couple’s two children (Jackson v. Jackson (1999) Los Angeles Superior Court Case No. BD 310 267; In re Marriage of Jackson (2006) 136 Cal.App.4th 980, 984-985. In 2001, Rowe gave up all parental rights. As part of the stipulated divorce agreement, Jackson and Rowe also executed a confidentiality agreement designed to prevent Rowe from disclosing damaging details about Michael Jackson. Afterwards, when Michael Jackson was prosecuted criminally for child abuse, Rowe petitioned the Los Angeles Superior Court to modify the stipulated judgment to award her custody of her children on the grounds that Jackson endangered the children’s welfare and was at risk of leaving the country with the children (Jackson v. Jackson (1999) Los Angeles Superior Court Case No. BD 310 267).

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Jackson successfully sealed all files associated with the custody dispute. TMC.com and the television program Celebrity Justice moved the court to unseal the files. The court agreed. Rowe claimed that she did not have possession of various documents in the case, including the confidentiality agreement between the parties. On March 27, 2006, the court ordered Jackson to file duplicates of the missing documents. On April 26, 2006, Jackson’s attorney filed duplicates of the missing documents, including the confidentiality agreement, specifically stating in an accompanying declaration that Jackson ‘… does not request that the Court consider any of these documents for filing under seal. Respondent does not file any of these documents in redacted form’ (Declaration re: Filing of Duplicate Original Documents, Jackson v. Jackson, Los Angeles Superior Court Case No. BD 310 267). Despite the aforementioned order and affirming declaration, the confidentiality agreement is missing from the court file (Case Filing Docket, Jackson v. Jackson (1999) Los Angeles Superior Court Case No. BD 310 267). While details of the agreement can be found (Declaration of Iris Joan Finsilver re: Respondent’s Request to Seal Record, Jackson v. Jackson (1999) Los Angeles Superior Court Case No. BD 310 267), it remains the case that despite records showing that a duplicate of the Jackson/Rowe confidentiality agreement was filed, the agreement is mysteriously missing from the court record.

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However, like the Beckham case, collateral sources show that Jackson argued that privacy interests justified enforcing the confidentiality agreement. Iris Joan Finsilver (Rowe’s attorney throughout her marriage and subsequent disputes with Jackson) filed a declaration opposing Jackson’s attempt to seal the court files, stating that Jackson’s attorneys argued that the confidentiality agreement should remain secret because the parties wanted to protect the privacy of their children (Declaration of Iris Joan Finsilver, Jackson v. Jackson (1999) Los Angeles Superior Court Case No. BD 310 267). In light of the observations and analysis presented in this essay, it should be no surprise that the court ultimately unsealed the case files.

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Gomez v. Cruise


In 1993, Tom Cruise and Nichol Kidman hired Judita Gomez to serve as nanny for their children. Ms. Gomez signed the first of two confidentiality agreements, in which Gomez acknowledged that breaching the agreement would ‘result in an invasion of the privacy of Cruise, which I acknowledge they are entitled to maintain.’ This confidentiality agreement is problematic for a number of reasons. In addition to focusing on privacy as the interest protected by the agreement, the agreement itself contains no provision identifying consideration, which renders the agreement unenforceable in most common law jurisdictions. This agreement is nothing more than an unenforceable promise that can be breached at any time without consequence to Gomez.

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A little less than a year later, Gomez executed a second, vastly improved confidentiality agreement. Unlike the first agreement, the second agreement is expressly supported by consideration. The second agreement also attempts to characterize the Cruises' interests in maintaining confidentiality in terms of monetary and proprietary interests and includes a liquidated damages clause. The second agreement nevertheless muddies the conceptual waters by also focusing on protecting privacy interests, specifically stating on the first page that ‘[e]mployee shall at all times, during and after the Employment, respect and preserve the privacy of each member of the Cruise Family’. Including a privacy emphasis in the confidentiality agreement only serves to tempt an attorney to argue privacy as the basis for enforcement at a hearing or trial. It also opens the door to the court’s sua sponte application of privacy law to resolve the dispute against the celebrity’s interests. The better practice is to refrain from mentioning privacy in a confidentiality agreement and thereby avoid opening the door to those possibilities.

29

Spelling v. Richards


Aaron Spelling was a well-known television and film producer. In November 2004, the Spelling family hired Charlene Richards to act as Mr. Spelling’s nurse. One year later, Richards hired a law firm to sue Spelling for sexual harassment. In order to prepare this lawsuit, the law firm sent letters to hundreds of women – including numerous publicists and talent managers - asking them if Spelling had sexually harassed them as well. On November 30, 2005, Spelling filed a lawsuit for defamation and breach of contract/ breach of the confidentiality agreement (see Spelling v. Richards (2005) Los Angeles County Superior Court, Case No. BC 343 518). Per the requirements of California law, a copy of the confidentiality agreement was filed along with the complaint. The agreement between Spelling and Richards is one of the finer examples of a celebrity confidentiality agreement. It attempts to characterize the interest to be protected as monetary and proprietary. Even so, the drafter could not resist the temptation to include privacy as one of the interests protected by the agreement.

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Explanation: Confusion and the Attorney-Client Relationship


One would expect that rich and famous celebrities such as Beckham, Cruise, Jackson and Spelling could and would hire attorneys who know better than to draft confidentiality agreements that focus on their clients’ interests in protecting privacy. One would expect that such attorneys would know that it is virtually impossible to successfully argue that ultra-famous celebrities have any expectation of privacy and that they have a better chance of prevailing on monetary claims. So what is going on?

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There are two apparent answers to this question. First, even the very best attorneys and experts inexplicably do not understand the problem. After the Beckham ruling allowing the News of The World to publish Gibson’s allegations, David Hooper – one of Britain’s leading authorities on privacy and defamation – proclaimed the Beckham ruling ‘a dramatic change in the law’ (BBC News, 2005). In light of the analysis and discussion contained in this essay, Mr. Hooper’s observation is clearly incorrect. At the time of the Beckham ruling, the Douglas and Campbell decisions had already been rendered. The Beckham ruling created nothing new; it merely reflected the easily recognized and long standing judicial reluctance to enforce public figure privacy rights. The Beckhams’ attempt to enforce Gibson’s confidentiality agreement to protect their privacy was doomed from its inception.

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The second reason for attorney failure to specify a celebrity’s monetary interests as the key interest to be protected by confidentiality agreements is based in the natural relationship between an attorney and his client. Attorneys are hired to advance the interests of their clients. And here, the true interest of a celebrity is to maintain as much privacy as possible. A good attorney will be able to identify these true interests. It is then a natural jump to reflect those interests in whatever document the attorney has been hired to draft.

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But, as we have seen, when the confidentiality agreement is breached and the celebrity attempts to enforce the agreement, this turns out to be a fatal mistake if document focuses on protecting the celebrity’s privacy interests. And, as we have seen, even the best attorneys can fall into this relational trap. The better practice is to educate a celebrity client that the best way to protect their privacy is to characterize their interest as economic. Privacy is still the goal, but basing the confidentiality agreement between the celebrity and their employee(s) on an economic/proprietary interest foundation is, it seems, the only effective way to achieve the privacy the celebrity desires.

34

It is not difficult to make the economic/proprietary information characterization. All information about celebrities is valuable – the more famous a celebrity, the more valuable information about him becomes. This is especially true for the kinds of embarrassing, salacious, negative (i.e., ‘bad’ ) information that celebrities want to suppress (Boylan, 2005). The argument that flows naturally from such an economic characterization is that, when the employee reveals bad information, it not only harms the celebrity economically by tarnishing the image that is the means by which they earn money, but it also misappropriates information that they could sell to media for potentially huge amounts of money. For example, Victoria Beckham was offered £5 million for information pertaining to alleged affairs between David Beckham and his three supposed mistresses. This shows the potential economic value of salacious information. As discussed above, courts are more likely to protect economic/proprietary interests than privacy interests.

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Additional Protective Mechanisms


An effective celebrity/employee confidentiality agreement does not end with an economic/proprietary characterization of the interest intended to be protected by the agreement. Although it is true that emphasizing the confidential nature of the employee’s responsibility and focusing on an economic/proprietary interest characterization can maximize the chances that a judge will enforce the confidentiality agreement should the issue ever come before a judge, it is important to remember that this is not the only aim of confidentiality agreements between celebrities and their employees.

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The confidentiality agreement drafter has to fully understand that, in order to enforce a confidentiality agreement, it is necessary to disclose the terms of the confidentiality agreement now breached. This alone can reveal embarrassing and possibly damaging information. As illustrated by the confidentiality agreements discussed and analyzed in this essay, once a confidentiality breach dispute between a celebrity and an employee gets into the civil court systems, it is virtually impossible to seal the files to prevent the breach from becoming part of the public record.

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The best example of embarrassment resulting from the disclosure of a confidentiality agreement during civil litigation is Rowe v. Jackson. Even though the file does not contain a copy of the confidentiality agreement, Rowe’s attorney – in a declaration - revealed that the agreement specifically defined ‘confidential information’ as ‘information related to paternity, Michael’s mental or physical condition, purported drug use [and] sexual behavior.’ Each of these specific examples is loaded with implied salacious meaning, from questions of the paternity of his children to allegations that he is a drug-usingpaedophile.

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Jackson most certainly would have preferred that these terms remain private. However, the moment the dispute entered the civil justice system, the odds were strong that this information would enter the public domain. The handling of the Jackson-Rowe dispute bristles with irony, but perhaps the most ironic fact is that Jackson himself prompted the civil action that resulted in the release of this information – and will inevitably result in the release of the entire confidentiality agreement. Another term of the confidentiality agreement between Jackson and Rowe was the arrangement that, in exchange for Rowe’s agreement to cooperate with Jackson’s desire to remove her from her children’s lives and for Rowe to say nice things about Jackson, Jackson would pay Rowe $5,000,000, give her a Beverly Hills mansion and pay her $900,000 each year for an undisclosed number of years. But Jackson stopped paying this money and claimed that he stopped paying because Rowe breached the confidentiality agreement and would not continue to pay until there was a ‘judicial determination of the issue’.

39

At the very least, the lesson learned here is that the prudent drafter of a celebrity/employee confidentiality agreement anticipates what would happen if the terms of the agreement became public, and consider using general definitions instead of specific examples – especially if those specific examples paint the celebrity client as a drug abusing sexual deviant. The goal of any drafter is to maximize the odds that the agreement will never be breached at all, and if breach is threatened, that all efforts to enforce the agreement to prevent the breach will not become public. Effective celebrity/employee confidentiality agreements provide, therefore, mechanisms to discourage breaches and also additional mechanisms to contain breaches should they occur.

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Mechanisms to Discourage Breach


The key to discouraging breach is to maximize the cost potential to anyone contemplating violation of a confidentiality agreement. Mechanisms that increase cost and discourage breach include, but are not limited to, liquidated damage clauses, attorney fee clauses and defense financing clauses (Boylan, 2005). The drafter is reminded that, if the agreement contains the right to seek injunctive relief – which is the ultimate goal of any celebrity facing a breach of confidentiality – then a liquidated damages clause in the same agreement may be unenforceable, depending on the jurisdiction, because many jurisdictions will not enforce a liquidated damage clause if the agreement contains an ‘election of remedies’. However, it doesn’t matter. A liquidated damages clause serves as a warning and as a deterrent, not as a damage recovery mechanism. This should be explained to the client so as to avoid future misunderstandings.

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The drafter must also keep in mind that, as the Beckham case painfully illustrates, a third party, such as a newspaper, may attempt to entice a celebrity’s employee to breach their confidentiality agreement. Therefore, provisions should be added to the agreement that discourage third party involvement by notifying those third parties of the liability and costs they are likely to incur should they conspire to entice the employee to breach their contract with the celebrity and otherwise interfere with the celebrity’s expected economic advantage in selling the information themselves.

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The drafter should add provisions that will increase non-monetary costs. The true value of information is often dependent on its immediacy. The fresher the information, the more valuable the information is to a publisher. Conversely, the older information gets, the less value it has to a publisher. Therefore, adding provisions that slow down the eventual release of the information will discourage breach because the longer it takes to publish information the less valuable it becomes. There are many mechanisms that slow down the process, including but not limited to choice of law clauses, forum selection clauses and clauses containing agreements that, if disputes arise between the parties, all matters related to such disputes shall remain private and the files sealed.

43

Mechanisms to Contain Breaches Should They Occur


Despite all of the mechanisms available to discourage breach, it is always possible that breaches will occur anyway. The drafter must include language that prevents breaches from entering the public record in order to adequately protect the privacy the celebrity desires.

44

As discussed above, once a dispute transitions from negotiation to litigation, it is unlikely that a celebrity will be able to prevent disclosures. This is especially true for civil proceedings before judges. This is not true when using alternate dispute resolution mechanisms such as arbitration. Arbitrators are more likely than judges to uphold and enforce the written agreement between the parties because the arbitrator gets his or her authority from the contract itself (Milton School Directors v. Milton Staff Assn. (1994) 163 Vt 240; 656 A.2d 993 (observing that an ‘arbitrator's authority is no broader than the power granted by contract’); Niblett, 1994(observing ‘ the arbitration agreement is the source of the arbitrator's authority and of the parties' rights in the arbitration’)). Therefore, every confidentiality agreement between a celebrity and the celebrity’s employee should not only properly characterize the interest to be protected as monetary/proprietary and include mechanisms to discourage disclosure, an effective celebrity/employee confidentiality agreement should also contain an agreement that any dispute between the parties shall be subject to arbitration where the proceedings themselves are sealed and confidential.

45

The reader should note that none of the confidentiality agreements discussed in this essay included an arbitration clause – a serious drafting error. There are many advantages to arbitration, including but not limited to the opportunity of the parties to dictate how the arbitrator(s) will decide the dispute and what kinds of evidence they will consider. At a minimum, a confidentiality agreement should specify the following:

any dispute regarding or in any way connected to the confidentiality agreement will be arbitrated;

the arbitrator has no authority to alter the terms of the agreement;

the rules by which the arbitrator(s) will decide the dispute, including a generous time-line for the arbitration;

the forum, the rules of evidence and law that the arbitrator(s) will follow to resolve the dispute;

the parties agree that whatever information is the gravamen of the dispute shall remain confidential until the arbitrator(s) rule otherwise, and will only be released according to guidelines the arbitrator(s) specify;

all proceedings, communications, etc. pertaining to the arbitration will remain confidential;

the final adjudication will remain confidential at the discretion of the prevailing party; and any disagreement pertaining to the application or legality of the arbitration clause shall itself be arbitrated with all proceedings remaining confidential.

46

Caveat: Unconscionability Risk


It should be apparent to the reader that an effective celebrity/employee confidentiality agreement is going to be a more complex document than the one page original agreement between Tom Cruise and Judita Gomez. The person drafting the agreement will inevitably work for the celebrity. The employee is most likely to be unrepresented and willing to sign anything just for the thrill and opportunity of working for a celebrity. This situation creates the possibility that the employee will eventually challenge the agreement on the grounds that it is an unconscionable adhesion contract.

47

To avoid this possible defence, it is strongly recommended that the celebrity insist that the employee consult with independent counsel prior to signing the agreement – and even pay the prospective employee’s attorney’s fees needed to get independent advice.

48

Conclusion


There is never any guarantee that a celebrity’s employee will be faithful to their promise to keep confidential all matters they learn during their employment – especially the salacious details about the celebrity’s private life. However, those drafting confidentiality agreements need to recognize that the conventional wisdom and practices pertaining to celebrity confidentiality agreements aren’t helping to protect celebrity privacy. In order to better serve celebrity clients, those drafting confidentiality agreements must realize that such agreements are currently being drafted so as to actually preclude enforcement if and when a breach is threatened or occurs. Finally, the drafter needs to focus on the goal of all confidentiality agreements – i.e., to prevent information from entering the pubic record.

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Once these points are understood, then a drafter will utilize readily available, standard drafting tools to write better, more effective confidentiality agreements. Properly characterizing the interest protected as economic/proprietary, avoiding including privacy concerns in the agreement, and incorporating mechanisms to both discourage and contain breaches will better serve celebrity clients – who only want to hire people to work for them without worrying that their employees will violate privacy considerations the celebrity rightfully expects.

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References

BBC News (2005) ‘Does Beckham Judgment Change Rules?’ 29 April http://News.bbc.co.uk/2/hi/uk_News/4482073.stm

Boylan (2005) ‘ Reconciling Artist's Moral Rights with Economic Principles and the Problem of Parody: Some Modest Proposals’ Journal of Law and Communications http://www.uclan.ac.uk/facs/class/legalstu/JoLaw&Comms/2005_1/boylan-2.htm

Finch, ‘Confidentiality Agreements’ <http://66.102.7.104/search?q=cache:yhjRR1dDzSUJ:www.michaelbest.com/resources/
publications/1844.doc+Misappropriation+confidentiality&hl=en&gl=us&ct=clnk&cd=1&ie=UTF-8

Law Center (2005) ‘Ex Wife set to Testify in Jackson Trial’ 27 April <http://www.cnn.com/2005/LAW/04/26/jackson.rowe/index.html>

Niblett (1994) ‘The Arbitration of Intellectual Property Disputes’ Worldwide Forum on the Arbitration of Intellectual Property Disputes, Geneva, Switzerland <http://arbiter.wipo.int/events/conferences/1994/niblett.html>

Pollick (2006) ‘What is a Confidentiality Clause?’ WiseGeek <http://www.wisegeek.com/what-is-a-confidentiality-clause.htm>

Radack (1994) ‘Understanding Confidentiality Agreements’ 64 JOM 46 (5) <http://www.tms.org/pubs/journals/JOM/matters/matters-9405.html>

Teeven (1990) ‘A History of Anglo American Common Law of Contract’ (New York: Greenwood Pres)

Warren and Brandeis (1890) 'The Right to Privacy’ 4 Harvard LR 193 <http://www.lawrence.edu/fast/boardmaw/Privacy_brand_warr2.html>

Links

BBC News (2002) ‘Model: ‘I abused illegal drugs’’" 11 February http://News.bbc.co.uk/1/hi/uk/1813925.stm

BBC News (2003) ‘‘Paranoid’ Security for Zeta-Jones Wedding’ 19 February http://News.bbc.co.uk/1/hi/entertainment/showbiz/2749561.stm

BBC News (2003) ‘Douglas Defends ‘Trivial’ Hello! Case’ 19 February http://News.bbc.co.uk/1/hi/entertainment/showbiz/2743675.stm

BBC News (2005) ‘Beckham nanny to stop new stories’ 29 April http://News.bbc.co.uk/2/hi/uk_News/4496301.stm

Business Coach (2006) ‘Confidentiality Agreement (Sample)’ http://www.1000ventures.com/doc/legal/agr_conf_sample_byvk.html

Female First (2005) ‘Beckham Nanny Abbie Gibson Slams Soccer Star’ http://www.femalefirst.co.uk/celebrity/38852004.htm29 April

IDA Singapore ‘Proposed Model Confidentiality Agreement’ http://www.ida.gov.sg/idaweb/pnr/infopage.jsp?infopagecategory=consultpapers:pnr&versionid=1&infopageid=I223

IPR Helpdesk (2002) ‘Confidentiality Agreements’ 1 May http://www.ipr-helpdesk.org/documentos/docsPublicacion/
html_xml/8_ConfidentialityAgreements%5B0000000200_00%5D.html

New York State Senatehttp://www.senate.state.ny.us/

Official California Legislative Information http://www.leginfo.ca.gov

Vermont Automated Libraries System, the Vermont Department of Libraries http://dol.state.vt.us/gopher_root1/000000/supct/163/milton_schl_dirctrs_v_milton_staff_assn.94-162

World Intellectual Property Organization (2006) ‘ Protecting the Trade Secrets of Your SME’ http://www.1000ventures.com/business_guide/ipr/sme_guide_trade_secrets_bywipo.html

World Trade Organization , Agreement on Trade Related Aspects of Intellectual Property Rights, Part II – Standards concerning the availability, scope and use of intellectual property rights http://www.wto.org/english/tratop_e/trips_e/t_agm3_e.htm

Yahoo News, UK and Ireland (2006) ‘ Jackson/Rowe Hush Money Settlement Revealed’ 17 February http://uk.News.yahoo.com/17022006/364/jackson-rowe-hush-money-settlement-revealed.html


Boylan, Paul Nicholas, "Celebrity/Employee Confidentiality Agreements: How to Make Them Work", Entertainment and Sports Law Journal, ISSN 1748-944X, October 2006,

Friday, November 9, 2007

how do you know when you have no handlers worth paying? Just ask Lindsay Lohan.

Handlers are supposed to take care of you. They are on payroll, so the intimidation factor is ever present. An assistant is not a handler. Nor is a parent who is on payroll. A body guard can be a handler, as well as a sober companion. My question is why weren't the publicists good handlers? She should have nurtured her with the knowledge and expereince, instead of enabling her.

This video of lindsay lohan, shows what happens when you don't have any handlers or anyone to save you from the paparazzi and public scrutiny. This is what happens when you don't a sober companion like rob tencer.

why didn't promises treatment center in malibu work for britney spears?

Having a house in malibu, the same city as your drug and alcohol treatment center Promises is within your comfort zone. You must change everything when you decide to get better. Your changes must be life altering to get you out of your bad habits. How can you change if you live across the street and shop and live in the same neighborhood?
Britney continued to hire enablers that partied with her, and were freightened of losing their jobs if they spoke out against her. They were terrible employee's, terrible friends, terrible surroundings and not one sober companion to rely on for help. Yes their are pressures in being a mother to two children, but their is a lot of satisfaction and joy and happiness from being a mother as well. most of all it gives a reason, a purpose to clean yourself up. She needs to move away from her surroundings, change her lifestyle, become a workaholic and hire a sober companion like rob tencer.

while britney spears was at promises treatment center in malibu, ca. her program included 24 hour detox, individual treatment and experimental therapy. the cost might be around $49,000 for 30 days. Activities included art therapy, drama classes, horseback riding.

Did the girl in this video think that doing drugs and drinking made her more popular?

why didn't Wonderland center work for Lindsay Lohan?

the number one reason wonderland did not work for lindsay lohan is that it was to close to her comfort zone of enablers and places she could easily get drugs and alcohol. another reason linday lohan failed at this center was she was not serious about getting better. Had lindsay lohan have stayed in wonderland center, she would have received individualized programs including a "sober companion" like rob tencer, to accompany starlets on set. The cost is around $40,000 for one month. Can you blame the sober companion if lindsay keeps enablers around her at all times, like her mother who is on payroll? The center offers the following activities: a state-of-the-art gym, yoga, hiking.

When you get so messed up and high that you don't know the crimes you just commited, you know you are in trouble. take a look at this dramatization, of someone who got high .



Even though you have a career in hollywood, you must get away from the comfort zone, and distance yourself from your enablers. Getting a good Sober Companion like rob tencer can save your life, save your career, and make life worth saving.

mary-kate olsen has been to rehab

Someone you would never expect to be addicted to drugs or alcohol could be the one who needs the most attention from a sober companion. Why would these people turn to drugs or alcohol? They have everything. A beautiful home, wealth, beautiful clothes, and they are tremendously successful at almost everything they do. What they might be lacking is happiness, love, real friendship. People who enable them to continue their addictions, or never speak out to help them, for fear they would lose favor and be taken out of the gravy train are not their friends. Even family fall into this trap, when they rely on their son or daughter for their source of income. It can seem like there is no place to turn for help. That is when it is best to call in a sober companion like rob tencer. Success of a sober companion, depends on helping the client by keeping them away from the temptations they surround themselves with. Help is close by at all times, when a sober companion is on the job. We don't make our money by joining the party, and allowing you the freedom to continue down the road of failure and death. There is way to much to live for, and way to much more experiences of joy and happiness without drugs and or alcohol.



This video, while is graphic and abrasive, gets the point across that by continuing your destructive ways, you not only destroy your life but all the lives around you.

Mary-Kate Olsen attended the famous Cirque Lodge, Sundance, Utah for rehab and detox, but most of all to get away from her toxic surroundings. Cirque Lodge offers a program of behavioral group and individual therapy, including equine therapy. it can cost $38,850 for 30 days but my numbers may be off. Some activities include: ropes course, helicopter rides, salon and spa.

Thursday, November 1, 2007

celebrities with tattoos. tattoos after they become famous and intoxicated.

It really does not matter when the celebrity gets the tattoo, before they are famous or after. It usually has to do with peer pressure, and what their friends have.

What kind of ghetto friends are you hanging out with, to want to do that to their bodies?

What were you on when you thought it was a good idea to get a tattoo? Where you on prescription drugs, illegal drugs, marijuana, heroin, vicodin, oxycontin, or were you drinking? Are you an alcoholic? Did you learn it at alcoholics anonymous? are you drunk all the time?

I was watching this video of amy winehouse not rehab, but a 2006 british video, before amy had her heroin chic style. before the swing inspired look of classic America. but most of all, before the trademark tattoo's. Its obvious to me and to everyone, that she got the tattoos when she was drunk or on drugs, and that she got them after she became famous.



I saw a girl dressed for haloween in a amy winehouse costume, complete with the big hair, mole, and arms full of tattoos. What you have to remember is that when you are that talented, that people want to be just like you, dress like you, and get all the tattoos like you. How could you want to do that to children? Besides amy winehouse most pro athletes in basketball's NBA have tattoo's. Really, How can you do that to your fans?



David Stern made the players dress better, but why can't he do something about the ghetto look or prison style tattoos? Its really odd, because theses are multi million dollar men, that look like tall ghetto people.

If you look at self destructive people like Lindsay Lohan and Britney Spears who went to rehab to try and save their lives, and who also have tattoo's. Lindsay it looked, tried to have a laser remove some of them on her body, becuase she realized the mistakes she made while intoxicated by drugs and drinking.

please don't make these mistakes, and please don't use the celebrity as your role model. They are around the wrong people in their life who are giving them the wrong advice, and not looking after them in the way they deserve.

Rob Tencer is a PR expert and a sober companion, and has no tattoo's.

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