Showing posts with label celebrity. Show all posts
Showing posts with label celebrity. Show all posts

Thursday, September 17, 2009

kanye west publicity stunt proves rob tencer pr theatrics still garner world wide press









Kanye west publicity stunt, masterminded by MTV to make their awards shows relevant around the world, worked like a charm. Not only is MTV back on the map, but everyone that was part of the publicity stunt has also been the most talked about around the world. Can you deny the popularity and interest of Kanye West, Taylor Swift, Beyonce and even Pink has figured into the mix, with her twitters and post interviews.

USING THE RED CARPET:
In my article for buzzhollywood.com, I dissected how MTV pulled off the stunt, and how they used the red carpet press line for their own benefit. Usually an event promoter relies on the back wall of the press line for branding and sponsorship, which is seen in every photo and interview.
Rob Tencer PR has always coached his socialite and celebrity clients that the red carpet is far more important than the actual event, or to set up an entrance for gaining the focus of media and everyone invited. My books available at scribd.com posts on robtencerpr.com and this website are proof that I have been teaching these techniques for years.

USING PROPS FOR ATTENTION:
While women can use hand bags, and fashion for garnering attention, men must be more creative such as, walking with limps, talking funny or quietly, facial expressions and the use of male props. While rappers used chalices and grills and people like Mr. T used gold chains and Mohawks, drinking from a bottle of cognac works just as well, to get the point across that I will be out of control inside the event.

USING PEOPLE AS PROPS:
Black man attacks little white girl, center stage appears unrehearsed and spontaneous. The question is what is the purpose of this kind of publicity stunt?

  • To increase MTV viewers for years to come
  • To increase popularity for Kanye West, Taylor Swift, Beyonce and Pink
The backup for Pink, which she did not end up needing was a cirque DE Sollie performance and a grand entrance on a New York Fire Engine.




WRESTLING AS A LESSON:
creating a bad guy persona makes a person wildly more popular than as a good guy. The great Andy Kaufman learned this technique early in his life, and so did every other famous wrestler. Being the bad guy, fills arenas, creates audience interaction and makes them stand from their seats, chanting of boo's is like music to their ears. While the person who created the bad guy image, with help from the promoter and others who played victim must be a strong character. To go through the abuse and hatred that he or she will have caused might drive a weak person to drug addiction and alcoholism or if they become to weak from the pressure, they might commit suicide.

I hope Kanye West is strong enough to carry out his hoax as a bad guy, and that MTV acts as the safety net to catch him when he falls, otherwise we will be honoring his work posthumously.

Rob Tencer

Saturday, May 3, 2008

10021 NY Socialites - update on breaking confidentiality agreements - rob lowe

Update on breaking confidentiality agreements

the rob lowe technique.

Deflection of truth or pointing a finger is one way to dilute or make the secret revelations seem less important or less inconsequential. Getting dirt on your accusers or showing how un trustworthy they are, is also a good approach. The truth is, a celebrity will always get the ear of the press. when an exclusive story is brought into the picture, and when the media source is big enough to get your word vs. the accusers (x employee).

Why the celebrity will gain the upper hand.

They will use the techniques of an actor to look humiliated, assaulted, broken, tearful, hurt, or vulnerable. the actor will win their cause, because they are good at what they do best. ACT.

why the x employee will win out.

If the x employee has proof, witnesses, smoking guns, or something to back up what they say is the truth, then the celebrity or socialite is in trouble.

how to safeguard against an employee who breaks their confidentiality agreement.

read my other posts within this blog on how to safeguard yourself when an employee decides to break their confidentiality agreement. I explain how to prevent this from happening and why it happens in the first place. you need to read this if you have something to hide, or if you want to save your dignity.

The Lowes are Exposed!

Well whatever creditability Lowe had has just gone down the drain. Another young woman, Laura Boyce has come forward, also alleging sexual harassment on the part of the Lowes. This young woman's accusations are explosive. Boyce claims that Ms Lowe frequently discussed her sex life, and often asked Boyce about hers. Boyce's boyfriend is an NBA basket ball player, and Sheryl wanted a full description of the fellow's private parts. To be fair, Sheryl was willing to play "I'll show you mine..." and went on to describe the genitals of both her husband Rob, and those of her two young sons! Sheryl's curiosity alternated with racism however, since according to Boyce, Ms Lowe sometimes referred to the boyfriend by using the "N" word. For instasnce when Boyce once phoned in sick, Sheryl responding by screaming After Boyce allegedly phoned to say she wasn't coming to work because she was sick, Sheryl allegedly screamed "she got strep throat from sucking ni***r d**k. I mean black d**k." Incidentally Boyce also confirms that Sheryl was fond of prancing around naked, and in her words 'completely exposed'.

The young woman's allegations became public at a press conference held yesterday. Boyce was accompanied by her lawyer, Gloria Allred. In fact Allred had to do most of the speaking, since Boyce began having some kind of panic attacking, and started sobbing and hyper ventilating.

The Lowes 'jump the couch' by jumping the gun
All of this seems to have been set into motion by the Lowe's jumping the gun preemptive strike. As mentioned earlier, Lowe used his Huffington Post blog to accuse the Gibson of trying to shake him down for cash. He then launched a lawsuit against Gibson, Boyce, and another ex employee - the Lowe's former private chef Peter Clements. That seemed to be what precipitated Gibson filing suit two weeks later. It would seem that the Lowe's attempt to get control of the situation by over reacting has turned out about as well as Tom Cruise's attempts to quash gay rumors by appearing on Oprah. Now the evidence is staking up against Lowe and fast. Yet the American public must be inured to celebrity scandal by now, so what's left of Lowe's career might just survive. That is as long as investigators don't find some dungeon in the Lowe's basement, filled with missing Mexican illegals

Tuesday, November 20, 2007

how to stop leaks in confidentiality. celebrities and socialites must have loyalty in their staff and friends.

Money is a strong motivator in breaking down the trust and loyalty of a long time employee of a VIP, whether they are celebrity, socialite or CEO. The contracts you had your staff sign when they begun working for you, mean very little to a person with nothing to lose. While you lose your pr ivacy and what turned out to be your ill kept secrets. Regardless of your privacy having to do with dug addiction or alcohol addiction, or infidelity with a man, women or children, embezzlement, or other forms of cheating or hurting people, these are true secrets worth paying the ransom for to keep secret.
Now that you know what your up against, the only thing you can do to thwart the stench, is to gain loyalty from whom you hire. With loyalty, it would not matter how big the carrot dangled in front of them.

The following is a reprint from a law journal on the very real problem you face no matter who you are.
last note: rob tencer is a very loyal publicist and sober companion, and is available for consultation. kindly send your request for assistance to: rob tencer

ISSN 1748-944X

Celebrity/Employee Confidentiality Agreements: How to Make Them Work

Paul Nicholas Boylan

Attorney at Law, California; Visiting Professor, University Of Poitiers, France


Abstract

It has come to light in recent years that confidentiality agreements between celebrities and their employees do not effectively protect celebrity privacy. Even celebrities as rich and powerful as David and Victoria Beckham and Michael Jackson have been unable to use confidentiality agreements to stop the publication of embarrassing information. This essay first examines the problem and highlights the danger of focusing on privacy as the controlling interest motivating confidentiality agreements. This conceptual framework is applied to the confidentiality agreements drafted by representatives for David Beckham, Tom Cruise, Michael Jackson and Aaron Spelling. Mechanisms that might discourage employees from breaching confidentiality agreements, or to contain it should a breach occur, are discussed.


Introduction


It is a popular truism that with great power comes great responsibility. In the world of sports and entertainment law, it is equally accepted that with great celebrity comes the likelihood of great scandal. Sport and entertainment are businesses, and business solutions have been applied to prevent the release of scandalous or potentially damaging information. Confidentiality and non-competition agreements are standard in virtually every business transaction. They are particularly effective as between businesses and their employees (Radack, 1994; Pollick, 2006)

1

However, unlike other business transactions, confidentiality clauses have not been effective vis-à-vis celebrities and their employees. Footballer David Beckham’ s nanny signed four confidentiality agreements, but still revealed – with a judge’s blessing – salacious details of the Beckhams' private life to a notorious English tabloid,The News of the World. The late Hollywood producer Aaron Spelling’s personal aide attempted to sue him for sexual harassment, and the Spellings then countersued her for violating a confidentiality agreement – the details of which have now become public record (Richards v. Spelling (2006) Los Angeles County Superior Court, Case No. BC 346 448; (2005) Los Angeles County Superior Court, Case No. BC 343 518).

2

Even the secretive and thoroughly lawyered Michael Jackson could not rely on a confidentiality agreement to prevent his former wife, Deborah Rowe, from revealing details about his private life (Jackson v. Jackson, (1999) Los Angeles Superior Court Case No. BD 310 267). Rowe was less Jackson’s wife than she was his employee. She was essentially hired to provide Jackson with children and, once her work was done, her employment was terminated and any details of Jackson’s life she might have learned while in close proximity with the King of Pop were subject to a confidentiality agreement.

3

Why is this happening? Why are confidentiality agreements seemingly breached at will and with court approval? Is there any way to protect celebrities from employees who attempt to profit at their expense?

4

The answer to the final question is yes, there is a solution. But to understand the solution, it is necessary to first understand the subtle nature of the problem. It is important to realize that confidentiality agreements used within the sports and entertainment industries can be, and have been, successfully breached because those responsible for drafting confidentiality agreements make fundamental conceptual errors that lead to potentially devastating drafting errors. This essay outlines a conceptual frameworkfor confidentiality agreements and applies it to actual celebrity confidentiality agreements. In light of the offered analysis, this essay makes some suggestions for the development of effective drafting techniques.

5

Conceptual Framework


Before an attorney, an agent or anyone hubristic enough to believe they can draft a confidentiality agreement for a celebrity puts pen to paper or fingers to keyboard, it is important for the drafter to know why some agreements are effective and others fail. This knowledge is achieved by understanding the nature of the relationship between, on the one hand, the characterization of the interests the agreement is meant to protect, and on the other, recognizing the kinds of interests courts are likely to protect versus those that courts are not likely to protect.

6

Contracts are the natural product and fundamentally necessary building blocks of any endeavours concerned with business and commerce. It is fair to observe that the world is increasingly business oriented, and business relations are regulated and defined by contracts. In relation to the Western perspective, contract law has been a part of Western Civilization for a very long time. The Emperor Justinian’s Law Books – dating from the 6th Century A.D. - show that the Romans had a long familiarity with contract law. Present day Anglo-American contract law – which is spreading across the globe through such institutions as the World Trade Organization and world-spanning treaties such as the Agreement on Trade-Related Aspects of Intellectual Property Rights (aka TRIPs) has its roots in 12th Century England (Vynior's Case (1609) 77 Eng. Rep. 597 (K.B)).

7

Confidentiality and non-competition agreements use standard, contractual devices to protect an employer’ s financial interests (such as trade secrets, client lists, intellectual property, the list is endless) from being taken/misappropriated by an employee or former employee for their own, or a successor-employer’s profit (Radack, 1994). ‘ Misappropriation’ is the conceptual foundation underlying virtually all non-celebrity confidentiality agreements, with such agreements designed to prevent the minor party from misappropriating something of immediate or ultimate value that the major party wants to keep for itself (Finch, n.d).

8

Unlike contract law, privacy law is comparatively new. Privacy as a right is a modern idea, often implied from other rights and, at least in the United States, created by judicial activism. The very notion that people have a right of privacy is credited as beginning with a law review article written by Samuel D. Warren and Supreme Court Justice Louis D. Brandeis more than 100 years ago (Warren and Brandeis, 1890). The concept has been hotly debated in common law jurisdictions ever since. In Wainright v. Home Office [2003] 4 All ER 969 Lord Hoffman extensively analyzes the convolutions of modern privacy law.

9

The debate concerning the existence and application of privacy rights intensified when, as recently as 1973, the United States Supreme Court affirmed a woman’s right to abortion by implying a constitutional right to privacy between a woman and her doctor by examining the ‘penumbra of the Bill of Rights’ - despite a frank acknowledgment that the U.S. Constitution does not mention privacy as a right (Roe v. Wade (1973) 410 U.S. 113). Roe depended in part on a dissenting opinion by Brandeis in Olmstead v. United States (1928) 277 U.S. 438, 478. Ironically, Roe’s ‘penumbra’ conceptualization was borrowed from Justice Holmes’ majority opinion - which disagreed with Brandeis’ analysis.

10

The state of privacy law in England is even more recent and uncertain than it is in America. This is best illustrated by comparing and contrasting Campbell v. Mirror Group Newspapers[2003] EMLR 2 with Douglas v. Hello! Ltd [2005] All ER (D) 280. Both case struggle with English privacy law in relation to privacy claims made by different internationally recognized celebrities. Although the law applied is the same, the results are quite different.

11

Campbell v. MGN


On 1 February 2001, The Mirror – a newspaper owned by MGN, Ltd. - published a front-page story with a headline reading ‘Naomi: I am a drug addict’ . The article detailed Campbell’s private attempt to rehabilitate from drug use and featured photos of her attending Narcotics Anonymous meetings. Campbell sued for breach of confidence and received £3,500 in damages (Campbell v. MGN Ltd [2002] EWHC 499 (QB)). MGN appealed, and the appellate court discharged the trial judge's order on the grounds that the publication was within the public interest (Campbell v. MGN, Ltd [2002] EWCA Civ 1373, [2003] QB 633). Campbell appealed to the House of Lords (Campbell v. MGN Ltd [2004] UKHL 22).

12

The House of Lords agreed with the appellate court’s reasoning and held for the newspaper. Delivering the court’s opinion, Lord Nicholls of Birkenhead first noted that, unlike American law, English law does not recognize ‘an all-embracing’ tort for invasion of privacy, but English law has utilized equitable principles influenced by the European Convention on Human Rights (ECHR) to spawn a privacy-related cause of action for ‘ breach of confidence.’ Lord Nicholls went on to recognize that everyone has the right to a private personal life, but also noted that ‘…the touchstone of private life is whether in respect of the disclosed facts the person in question had a reasonable expectation of privacy.’ The Court went on to hold that Ms. Campbell did not have a reasonable expectation of privacy because she affirmatively sought out press coverage on the issue of her alleged drug use, and therefore did not have a viable cause of action for breach of confidence. The court essentially pointed out that Campbell lost her reasonable expectation of privacy – and therefore whatever privacy rights she had, if any – when she voluntarily thrust herself into ‘the vortex of public opinion (Boylan, 2005).

13

Douglas v. Hello!


On 18 November 2000, Michael Douglas and Catherine Zeta-Jones married at the Plaza Hotel in New York City. OK! Magazine licensed the exclusive right to all wedding photos, with the Douglases maintaining control over which photos were published. Security for the wedding was extraordinarily tight – to the point of being described as ‘paranoid’ - but an unauthorized photographer gained unauthorized entry into the wedding location. He took photos and sold them to OK!’s rival, Hello! Magazine. The Douglases obtained an injunction preventing publication pending a trial on the issues, claiming both privacy and economic interests that required injunctive protection.

14

On appeal, the court independently applied the same reasoning used by the Campbell court, first stating that there was no concrete privacy right under English law but recognizing that English equitable principles have combined with the Human Rights Act 1998 to create a ‘breach of confidence’ cause of action to ‘fill the gap’ in English law which is filled by privacy law in other developed countries. Similar to Campbell, the Douglas court opined that privacy is due where it can be reasonably expected.

15

But the Douglases did something that Naomi Campbell did not do: in addition to alleging the violation of their privacy interests, the Douglases claimed that their economic interests were at risk – which the appellate court acknowledged by noting that the ‘intrusion was by uncontrolled photography for profit of a wedding which was to be the subject of controlled photography for profit’ and that ‘the major part of the claimants' privacy rights have become the subject of a commercial transaction.’ The court discharged the injunction on the grounds that the Douglases could be compensated for their primarily monetary injuries through monetary damages.

16

The case tried in 2003. The trial judge, Mr. Justice Lindsay - attempting to reconcile English tort law, contract law and the ECHR- entered judgment in favor of the Douglases and granted a perpetual injunction on their breach of confidence claim; but he ruled against the Douglases on their breach of privacy claim (Douglas v Hello! Ltd [2003] 3 All ER 996). Justice Lindsay repeated that even though there is no English right of privacy, privacy is nevertheless granted where it is reasonably expected.

17

Hello! appealed the trial court’s judgment. Citing Campbell v. MGN Ltd, the appellate court, in a per curiam decision, repeated Justice Lindsay’s observation that the controlling principle was ‘whether there is a reasonable or legitimate expectation of confidentiality or privacy,’ then dismissed the appeal and reinstated the injunction against Hello! on the grounds that ‘[o]nly by the grant of an interlocutory injunction could [the Douglases] rights have been satisfactorily protected’(Douglas v. Hello! Ltd [2006] QB 125). The court of appeal also specifically recognized that the Douglases had taken steps that amounted to creating a ‘trade secret’ that Hello! had violated.

18

It is instructive to note that the steps the Douglases took to protect their privacy essentially created a trade secret as defined by TRIPs because their wedding pictures 1) were not ‘generally known among or readily accessible’ to any publication; 2) had commercial value because they were secret; and 3) were subject to reasonable steps by the Douglases to keep them secret (TRIPs, Section Seven, Article 39, Protection of Undisclosed Information http://www.wto.org/english/tratop_e/trips_e/t_agm3_e.htm).

19

Comparing Douglas v. Hello! and Campbell v. MGN, Ltd. shows the confused state of English privacy law. Due in large measure to the impact of Convention rights on English law, ‘privacy law’ mixes tort, contract, equity and regulatory law, thus boot-strapping a privacy tort out of breach of confidence theory and seemingly indicating that contract rights can take precedent over rights to freedom of expression. However, for the purposes of this essay, the Douglas decisions vis-à-vis Campbell are important because they show that i) English courts are uncomfortable when dealing with privacy issues; ii) the outcome of a case can depend on whether the interest being protected is privacy or money; and iii) that even within the jumbled state of English privacy law, it is universally recognized that the level of privacy afforded is proportionally related to a celebrity’s reasonable expectation of privacy.

20

As shown earlier in this essay, American privacy law is more settled than English privacy law. This is especially true in the various state jurisdictions within the United States, where – unlike the United States Federal Constitution - privacy is often, but not always, expressly enumerated as a state constitutional right, For example, California Constitution, Art I, s. 1 guarantees the constitutional right to privacy http://www.leginfo.ca.gov/.constwhereas the New York State Constitution does not include privacy as an enumerated right http://www.senate.state.ny.us/lbdcinfo/senconstitution.html. However, the differences between American and English privacy law, for purposes of drafting confidentiality agreements, are distinctions without any practical differences. Regardless of how privacy law has developed in any particular Anglo-American legal jurisdiction, one universal rule stands out: non-‘public figures’ have a higher expectation of privacy – and therefore more rights to privacy – than public figures (Boylan, 2005). In pragmatic terms, this means that the more famous someone is – i.e., the more they thrust themselves into the vortex of public opinion - the less likely it is that a judge will protect their privacy because the more famous a celebrity, the lower his or her reasonable expectation of privacy. Consequently, confidentiality agreements that focus on protecting a celebrity’s privacy rights are very likely to fail if and when judicially tested.

21

Application of the Conceptual Framework


Failing to recognize the difference between monetary interests and privacy interests is the reason confidentiality agreements drafted on behalf of celebrities are rarely worth the paper they are written on. An analysis of celebrity confidentiality agreements shows that the failure to properly characterize the interest protected is a common mistake.

22

Beckham v. Gibson


In August 2003, international footballer David Beckham and his former Spice Girl wife, Victoria, hired Abbie Gibson as nanny for their children. During her employment, Gibson executed four confidentiality agreements promising to keep secret the Beckhams' private lives. In April 2005, Gibson left her employment with the Beckhams ‘after an argument’. Despite her four confidentiality agreements, Gibson toldthe News of the World – a tabloid publication – that the Beckhams fought often about David’s infidelities and that the couple were close to divorce; the News of the World paid Gibson £300,000 for this information. The Beckhams attempted, but failed, to enjoin the News of The World and to enforce the confidentiality agreement.

23

The confidentiality agreements between David Beckham and his former nanny, Abbie Gibson, are not yet part of the public domain, but collateral sources show that the Beckhams’ attorneys, in an attempt to enforce the confidentiality agreement, made the tactical and strategic error of attempting to justify injunctive relief as the means necessary to protect the Beckham family's privacy. Comparing the Beckham v. Gibson results with the Douglas v. Hello! results places the pragmatic differences between privacy and economic interests into sharp relief: the Beckhams’ request for injunctive relief to protect privacy interests was denied; the Douglases' request for injunctive relief to protect contractual monetary interests was granted. The News of the World argued that disclosure of the information was within the public interest because the Beckhams intentionally sought publicity and ‘made millions’ projecting the image of a perfect, happily married couple, when that was not the truth, Naomi Campbell v. Mirror Group Newspapers [2003] EMLR 2 holding in part that, when a public figure lies, a newspaper may publish private information about the celebrity ‘to put the record straight’.

24

Rowe v. Jackson


In 1999, Michael Jackson and his wife, Deborah Rowe, entered into a stipulated divorce agreement wherein Rowe gave up her rights to child custody of the couple’s two children (Jackson v. Jackson (1999) Los Angeles Superior Court Case No. BD 310 267; In re Marriage of Jackson (2006) 136 Cal.App.4th 980, 984-985. In 2001, Rowe gave up all parental rights. As part of the stipulated divorce agreement, Jackson and Rowe also executed a confidentiality agreement designed to prevent Rowe from disclosing damaging details about Michael Jackson. Afterwards, when Michael Jackson was prosecuted criminally for child abuse, Rowe petitioned the Los Angeles Superior Court to modify the stipulated judgment to award her custody of her children on the grounds that Jackson endangered the children’s welfare and was at risk of leaving the country with the children (Jackson v. Jackson (1999) Los Angeles Superior Court Case No. BD 310 267).

25

Jackson successfully sealed all files associated with the custody dispute. TMC.com and the television program Celebrity Justice moved the court to unseal the files. The court agreed. Rowe claimed that she did not have possession of various documents in the case, including the confidentiality agreement between the parties. On March 27, 2006, the court ordered Jackson to file duplicates of the missing documents. On April 26, 2006, Jackson’s attorney filed duplicates of the missing documents, including the confidentiality agreement, specifically stating in an accompanying declaration that Jackson ‘… does not request that the Court consider any of these documents for filing under seal. Respondent does not file any of these documents in redacted form’ (Declaration re: Filing of Duplicate Original Documents, Jackson v. Jackson, Los Angeles Superior Court Case No. BD 310 267). Despite the aforementioned order and affirming declaration, the confidentiality agreement is missing from the court file (Case Filing Docket, Jackson v. Jackson (1999) Los Angeles Superior Court Case No. BD 310 267). While details of the agreement can be found (Declaration of Iris Joan Finsilver re: Respondent’s Request to Seal Record, Jackson v. Jackson (1999) Los Angeles Superior Court Case No. BD 310 267), it remains the case that despite records showing that a duplicate of the Jackson/Rowe confidentiality agreement was filed, the agreement is mysteriously missing from the court record.

26

However, like the Beckham case, collateral sources show that Jackson argued that privacy interests justified enforcing the confidentiality agreement. Iris Joan Finsilver (Rowe’s attorney throughout her marriage and subsequent disputes with Jackson) filed a declaration opposing Jackson’s attempt to seal the court files, stating that Jackson’s attorneys argued that the confidentiality agreement should remain secret because the parties wanted to protect the privacy of their children (Declaration of Iris Joan Finsilver, Jackson v. Jackson (1999) Los Angeles Superior Court Case No. BD 310 267). In light of the observations and analysis presented in this essay, it should be no surprise that the court ultimately unsealed the case files.

27

Gomez v. Cruise


In 1993, Tom Cruise and Nichol Kidman hired Judita Gomez to serve as nanny for their children. Ms. Gomez signed the first of two confidentiality agreements, in which Gomez acknowledged that breaching the agreement would ‘result in an invasion of the privacy of Cruise, which I acknowledge they are entitled to maintain.’ This confidentiality agreement is problematic for a number of reasons. In addition to focusing on privacy as the interest protected by the agreement, the agreement itself contains no provision identifying consideration, which renders the agreement unenforceable in most common law jurisdictions. This agreement is nothing more than an unenforceable promise that can be breached at any time without consequence to Gomez.

28

A little less than a year later, Gomez executed a second, vastly improved confidentiality agreement. Unlike the first agreement, the second agreement is expressly supported by consideration. The second agreement also attempts to characterize the Cruises' interests in maintaining confidentiality in terms of monetary and proprietary interests and includes a liquidated damages clause. The second agreement nevertheless muddies the conceptual waters by also focusing on protecting privacy interests, specifically stating on the first page that ‘[e]mployee shall at all times, during and after the Employment, respect and preserve the privacy of each member of the Cruise Family’. Including a privacy emphasis in the confidentiality agreement only serves to tempt an attorney to argue privacy as the basis for enforcement at a hearing or trial. It also opens the door to the court’s sua sponte application of privacy law to resolve the dispute against the celebrity’s interests. The better practice is to refrain from mentioning privacy in a confidentiality agreement and thereby avoid opening the door to those possibilities.

29

Spelling v. Richards


Aaron Spelling was a well-known television and film producer. In November 2004, the Spelling family hired Charlene Richards to act as Mr. Spelling’s nurse. One year later, Richards hired a law firm to sue Spelling for sexual harassment. In order to prepare this lawsuit, the law firm sent letters to hundreds of women – including numerous publicists and talent managers - asking them if Spelling had sexually harassed them as well. On November 30, 2005, Spelling filed a lawsuit for defamation and breach of contract/ breach of the confidentiality agreement (see Spelling v. Richards (2005) Los Angeles County Superior Court, Case No. BC 343 518). Per the requirements of California law, a copy of the confidentiality agreement was filed along with the complaint. The agreement between Spelling and Richards is one of the finer examples of a celebrity confidentiality agreement. It attempts to characterize the interest to be protected as monetary and proprietary. Even so, the drafter could not resist the temptation to include privacy as one of the interests protected by the agreement.

30

Explanation: Confusion and the Attorney-Client Relationship


One would expect that rich and famous celebrities such as Beckham, Cruise, Jackson and Spelling could and would hire attorneys who know better than to draft confidentiality agreements that focus on their clients’ interests in protecting privacy. One would expect that such attorneys would know that it is virtually impossible to successfully argue that ultra-famous celebrities have any expectation of privacy and that they have a better chance of prevailing on monetary claims. So what is going on?

31

There are two apparent answers to this question. First, even the very best attorneys and experts inexplicably do not understand the problem. After the Beckham ruling allowing the News of The World to publish Gibson’s allegations, David Hooper – one of Britain’s leading authorities on privacy and defamation – proclaimed the Beckham ruling ‘a dramatic change in the law’ (BBC News, 2005). In light of the analysis and discussion contained in this essay, Mr. Hooper’s observation is clearly incorrect. At the time of the Beckham ruling, the Douglas and Campbell decisions had already been rendered. The Beckham ruling created nothing new; it merely reflected the easily recognized and long standing judicial reluctance to enforce public figure privacy rights. The Beckhams’ attempt to enforce Gibson’s confidentiality agreement to protect their privacy was doomed from its inception.

32

The second reason for attorney failure to specify a celebrity’s monetary interests as the key interest to be protected by confidentiality agreements is based in the natural relationship between an attorney and his client. Attorneys are hired to advance the interests of their clients. And here, the true interest of a celebrity is to maintain as much privacy as possible. A good attorney will be able to identify these true interests. It is then a natural jump to reflect those interests in whatever document the attorney has been hired to draft.

33

But, as we have seen, when the confidentiality agreement is breached and the celebrity attempts to enforce the agreement, this turns out to be a fatal mistake if document focuses on protecting the celebrity’s privacy interests. And, as we have seen, even the best attorneys can fall into this relational trap. The better practice is to educate a celebrity client that the best way to protect their privacy is to characterize their interest as economic. Privacy is still the goal, but basing the confidentiality agreement between the celebrity and their employee(s) on an economic/proprietary interest foundation is, it seems, the only effective way to achieve the privacy the celebrity desires.

34

It is not difficult to make the economic/proprietary information characterization. All information about celebrities is valuable – the more famous a celebrity, the more valuable information about him becomes. This is especially true for the kinds of embarrassing, salacious, negative (i.e., ‘bad’ ) information that celebrities want to suppress (Boylan, 2005). The argument that flows naturally from such an economic characterization is that, when the employee reveals bad information, it not only harms the celebrity economically by tarnishing the image that is the means by which they earn money, but it also misappropriates information that they could sell to media for potentially huge amounts of money. For example, Victoria Beckham was offered £5 million for information pertaining to alleged affairs between David Beckham and his three supposed mistresses. This shows the potential economic value of salacious information. As discussed above, courts are more likely to protect economic/proprietary interests than privacy interests.

35

Additional Protective Mechanisms


An effective celebrity/employee confidentiality agreement does not end with an economic/proprietary characterization of the interest intended to be protected by the agreement. Although it is true that emphasizing the confidential nature of the employee’s responsibility and focusing on an economic/proprietary interest characterization can maximize the chances that a judge will enforce the confidentiality agreement should the issue ever come before a judge, it is important to remember that this is not the only aim of confidentiality agreements between celebrities and their employees.

36

The confidentiality agreement drafter has to fully understand that, in order to enforce a confidentiality agreement, it is necessary to disclose the terms of the confidentiality agreement now breached. This alone can reveal embarrassing and possibly damaging information. As illustrated by the confidentiality agreements discussed and analyzed in this essay, once a confidentiality breach dispute between a celebrity and an employee gets into the civil court systems, it is virtually impossible to seal the files to prevent the breach from becoming part of the public record.

37

The best example of embarrassment resulting from the disclosure of a confidentiality agreement during civil litigation is Rowe v. Jackson. Even though the file does not contain a copy of the confidentiality agreement, Rowe’s attorney – in a declaration - revealed that the agreement specifically defined ‘confidential information’ as ‘information related to paternity, Michael’s mental or physical condition, purported drug use [and] sexual behavior.’ Each of these specific examples is loaded with implied salacious meaning, from questions of the paternity of his children to allegations that he is a drug-usingpaedophile.

38

Jackson most certainly would have preferred that these terms remain private. However, the moment the dispute entered the civil justice system, the odds were strong that this information would enter the public domain. The handling of the Jackson-Rowe dispute bristles with irony, but perhaps the most ironic fact is that Jackson himself prompted the civil action that resulted in the release of this information – and will inevitably result in the release of the entire confidentiality agreement. Another term of the confidentiality agreement between Jackson and Rowe was the arrangement that, in exchange for Rowe’s agreement to cooperate with Jackson’s desire to remove her from her children’s lives and for Rowe to say nice things about Jackson, Jackson would pay Rowe $5,000,000, give her a Beverly Hills mansion and pay her $900,000 each year for an undisclosed number of years. But Jackson stopped paying this money and claimed that he stopped paying because Rowe breached the confidentiality agreement and would not continue to pay until there was a ‘judicial determination of the issue’.

39

At the very least, the lesson learned here is that the prudent drafter of a celebrity/employee confidentiality agreement anticipates what would happen if the terms of the agreement became public, and consider using general definitions instead of specific examples – especially if those specific examples paint the celebrity client as a drug abusing sexual deviant. The goal of any drafter is to maximize the odds that the agreement will never be breached at all, and if breach is threatened, that all efforts to enforce the agreement to prevent the breach will not become public. Effective celebrity/employee confidentiality agreements provide, therefore, mechanisms to discourage breaches and also additional mechanisms to contain breaches should they occur.

40

Mechanisms to Discourage Breach


The key to discouraging breach is to maximize the cost potential to anyone contemplating violation of a confidentiality agreement. Mechanisms that increase cost and discourage breach include, but are not limited to, liquidated damage clauses, attorney fee clauses and defense financing clauses (Boylan, 2005). The drafter is reminded that, if the agreement contains the right to seek injunctive relief – which is the ultimate goal of any celebrity facing a breach of confidentiality – then a liquidated damages clause in the same agreement may be unenforceable, depending on the jurisdiction, because many jurisdictions will not enforce a liquidated damage clause if the agreement contains an ‘election of remedies’. However, it doesn’t matter. A liquidated damages clause serves as a warning and as a deterrent, not as a damage recovery mechanism. This should be explained to the client so as to avoid future misunderstandings.

41

The drafter must also keep in mind that, as the Beckham case painfully illustrates, a third party, such as a newspaper, may attempt to entice a celebrity’s employee to breach their confidentiality agreement. Therefore, provisions should be added to the agreement that discourage third party involvement by notifying those third parties of the liability and costs they are likely to incur should they conspire to entice the employee to breach their contract with the celebrity and otherwise interfere with the celebrity’s expected economic advantage in selling the information themselves.

42

The drafter should add provisions that will increase non-monetary costs. The true value of information is often dependent on its immediacy. The fresher the information, the more valuable the information is to a publisher. Conversely, the older information gets, the less value it has to a publisher. Therefore, adding provisions that slow down the eventual release of the information will discourage breach because the longer it takes to publish information the less valuable it becomes. There are many mechanisms that slow down the process, including but not limited to choice of law clauses, forum selection clauses and clauses containing agreements that, if disputes arise between the parties, all matters related to such disputes shall remain private and the files sealed.

43

Mechanisms to Contain Breaches Should They Occur


Despite all of the mechanisms available to discourage breach, it is always possible that breaches will occur anyway. The drafter must include language that prevents breaches from entering the public record in order to adequately protect the privacy the celebrity desires.

44

As discussed above, once a dispute transitions from negotiation to litigation, it is unlikely that a celebrity will be able to prevent disclosures. This is especially true for civil proceedings before judges. This is not true when using alternate dispute resolution mechanisms such as arbitration. Arbitrators are more likely than judges to uphold and enforce the written agreement between the parties because the arbitrator gets his or her authority from the contract itself (Milton School Directors v. Milton Staff Assn. (1994) 163 Vt 240; 656 A.2d 993 (observing that an ‘arbitrator's authority is no broader than the power granted by contract’); Niblett, 1994(observing ‘ the arbitration agreement is the source of the arbitrator's authority and of the parties' rights in the arbitration’)). Therefore, every confidentiality agreement between a celebrity and the celebrity’s employee should not only properly characterize the interest to be protected as monetary/proprietary and include mechanisms to discourage disclosure, an effective celebrity/employee confidentiality agreement should also contain an agreement that any dispute between the parties shall be subject to arbitration where the proceedings themselves are sealed and confidential.

45

The reader should note that none of the confidentiality agreements discussed in this essay included an arbitration clause – a serious drafting error. There are many advantages to arbitration, including but not limited to the opportunity of the parties to dictate how the arbitrator(s) will decide the dispute and what kinds of evidence they will consider. At a minimum, a confidentiality agreement should specify the following:

any dispute regarding or in any way connected to the confidentiality agreement will be arbitrated;

the arbitrator has no authority to alter the terms of the agreement;

the rules by which the arbitrator(s) will decide the dispute, including a generous time-line for the arbitration;

the forum, the rules of evidence and law that the arbitrator(s) will follow to resolve the dispute;

the parties agree that whatever information is the gravamen of the dispute shall remain confidential until the arbitrator(s) rule otherwise, and will only be released according to guidelines the arbitrator(s) specify;

all proceedings, communications, etc. pertaining to the arbitration will remain confidential;

the final adjudication will remain confidential at the discretion of the prevailing party; and any disagreement pertaining to the application or legality of the arbitration clause shall itself be arbitrated with all proceedings remaining confidential.

46

Caveat: Unconscionability Risk


It should be apparent to the reader that an effective celebrity/employee confidentiality agreement is going to be a more complex document than the one page original agreement between Tom Cruise and Judita Gomez. The person drafting the agreement will inevitably work for the celebrity. The employee is most likely to be unrepresented and willing to sign anything just for the thrill and opportunity of working for a celebrity. This situation creates the possibility that the employee will eventually challenge the agreement on the grounds that it is an unconscionable adhesion contract.

47

To avoid this possible defence, it is strongly recommended that the celebrity insist that the employee consult with independent counsel prior to signing the agreement – and even pay the prospective employee’s attorney’s fees needed to get independent advice.

48

Conclusion


There is never any guarantee that a celebrity’s employee will be faithful to their promise to keep confidential all matters they learn during their employment – especially the salacious details about the celebrity’s private life. However, those drafting confidentiality agreements need to recognize that the conventional wisdom and practices pertaining to celebrity confidentiality agreements aren’t helping to protect celebrity privacy. In order to better serve celebrity clients, those drafting confidentiality agreements must realize that such agreements are currently being drafted so as to actually preclude enforcement if and when a breach is threatened or occurs. Finally, the drafter needs to focus on the goal of all confidentiality agreements – i.e., to prevent information from entering the pubic record.

49

Once these points are understood, then a drafter will utilize readily available, standard drafting tools to write better, more effective confidentiality agreements. Properly characterizing the interest protected as economic/proprietary, avoiding including privacy concerns in the agreement, and incorporating mechanisms to both discourage and contain breaches will better serve celebrity clients – who only want to hire people to work for them without worrying that their employees will violate privacy considerations the celebrity rightfully expects.

50

References

BBC News (2005) ‘Does Beckham Judgment Change Rules?’ 29 April http://News.bbc.co.uk/2/hi/uk_News/4482073.stm

Boylan (2005) ‘ Reconciling Artist's Moral Rights with Economic Principles and the Problem of Parody: Some Modest Proposals’ Journal of Law and Communications http://www.uclan.ac.uk/facs/class/legalstu/JoLaw&Comms/2005_1/boylan-2.htm

Finch, ‘Confidentiality Agreements’ <http://66.102.7.104/search?q=cache:yhjRR1dDzSUJ:www.michaelbest.com/resources/
publications/1844.doc+Misappropriation+confidentiality&hl=en&gl=us&ct=clnk&cd=1&ie=UTF-8

Law Center (2005) ‘Ex Wife set to Testify in Jackson Trial’ 27 April <http://www.cnn.com/2005/LAW/04/26/jackson.rowe/index.html>

Niblett (1994) ‘The Arbitration of Intellectual Property Disputes’ Worldwide Forum on the Arbitration of Intellectual Property Disputes, Geneva, Switzerland <http://arbiter.wipo.int/events/conferences/1994/niblett.html>

Pollick (2006) ‘What is a Confidentiality Clause?’ WiseGeek <http://www.wisegeek.com/what-is-a-confidentiality-clause.htm>

Radack (1994) ‘Understanding Confidentiality Agreements’ 64 JOM 46 (5) <http://www.tms.org/pubs/journals/JOM/matters/matters-9405.html>

Teeven (1990) ‘A History of Anglo American Common Law of Contract’ (New York: Greenwood Pres)

Warren and Brandeis (1890) 'The Right to Privacy’ 4 Harvard LR 193 <http://www.lawrence.edu/fast/boardmaw/Privacy_brand_warr2.html>

Links

BBC News (2002) ‘Model: ‘I abused illegal drugs’’" 11 February http://News.bbc.co.uk/1/hi/uk/1813925.stm

BBC News (2003) ‘‘Paranoid’ Security for Zeta-Jones Wedding’ 19 February http://News.bbc.co.uk/1/hi/entertainment/showbiz/2749561.stm

BBC News (2003) ‘Douglas Defends ‘Trivial’ Hello! Case’ 19 February http://News.bbc.co.uk/1/hi/entertainment/showbiz/2743675.stm

BBC News (2005) ‘Beckham nanny to stop new stories’ 29 April http://News.bbc.co.uk/2/hi/uk_News/4496301.stm

Business Coach (2006) ‘Confidentiality Agreement (Sample)’ http://www.1000ventures.com/doc/legal/agr_conf_sample_byvk.html

Female First (2005) ‘Beckham Nanny Abbie Gibson Slams Soccer Star’ http://www.femalefirst.co.uk/celebrity/38852004.htm29 April

IDA Singapore ‘Proposed Model Confidentiality Agreement’ http://www.ida.gov.sg/idaweb/pnr/infopage.jsp?infopagecategory=consultpapers:pnr&versionid=1&infopageid=I223

IPR Helpdesk (2002) ‘Confidentiality Agreements’ 1 May http://www.ipr-helpdesk.org/documentos/docsPublicacion/
html_xml/8_ConfidentialityAgreements%5B0000000200_00%5D.html

New York State Senatehttp://www.senate.state.ny.us/

Official California Legislative Information http://www.leginfo.ca.gov

Vermont Automated Libraries System, the Vermont Department of Libraries http://dol.state.vt.us/gopher_root1/000000/supct/163/milton_schl_dirctrs_v_milton_staff_assn.94-162

World Intellectual Property Organization (2006) ‘ Protecting the Trade Secrets of Your SME’ http://www.1000ventures.com/business_guide/ipr/sme_guide_trade_secrets_bywipo.html

World Trade Organization , Agreement on Trade Related Aspects of Intellectual Property Rights, Part II – Standards concerning the availability, scope and use of intellectual property rights http://www.wto.org/english/tratop_e/trips_e/t_agm3_e.htm

Yahoo News, UK and Ireland (2006) ‘ Jackson/Rowe Hush Money Settlement Revealed’ 17 February http://uk.News.yahoo.com/17022006/364/jackson-rowe-hush-money-settlement-revealed.html


Boylan, Paul Nicholas, "Celebrity/Employee Confidentiality Agreements: How to Make Them Work", Entertainment and Sports Law Journal, ISSN 1748-944X, October 2006,

Sunday, August 12, 2007

How to deal with fame. Help from Celebrity Publicist Rob Tencer

From Rob Tencer:

I recently read a quote from Jennifer Lopez and was insulted that she hasn't got more of an open mind on people who specialize in helping young people with fame. I have written a book on the subject, given radio interviews, and will soon release my new edition for tweens and teens on how to become famous, keep it together and be responsible. I have always recommended to have a great team around you, and that if anyone hurts you, including a parent, to remove them from your team. Please note: I never say remove a parent from your life, just your team.


If I specialize in making people famous, I also help them deal with the consequences of fame. Remember kids, that Rob Tencer is here for you!


“Nobody has a handbook for fame. It’s no easy thing to deal with. You’ve got to have good people around you. The thing about this business, in a way it’s pretty sad, because you get child stars who are too many people’s meal ticket and they’re not going to tell the child that they can’t do something. I had people who kept me in line. I was fortunate in that way. Now… it would seem that people’s best interests are just to keep the star happy as long as the money is still coming in.”

Jennifer Lopez on the Britneys and Lindsay of this world

Wednesday, July 18, 2007

How to reproduce the popularity and fame of Anna Kournikova




Winning tournaments is not required to gain fame and fortune as an athlete. Coming from America is also not a requirement. What follows is a look at how Russian athletes like Anna Kournikova not only became world famous but very wealthy.

You must be seen

Self confidence is required to get through all the losing you’re going to do. Becoming a ranked athlete makes you an elite individual to begin with. The amount of practice, training and how young you begin will determine how far you get at becoming a ranked elite athlete in the sport of your choice. Keep in mind since Anna’s climb to stardom, We now have many ways to see our budding talents. Youtube and user generated content has gained a public acceptance for the way young people get their viewing content. Special fringe Satellite networks have arisen for sports fanatics as well. ESPN has branched out to covering many more sports then their early days when Anna was rising. Pay networks have also arisen for almost every sport known. While professional wrestling was shunned by mainstream sports networks, they have accepted a new style of boxing / wrestling like the UFC, and other federations. BODOG Sports seems to have made a strong entrance into sports broadcasting and pay per views. Versus is another strong network, as well as Fox Sports and all its local broadcasting of regional sports. Satellite Networks have picked up college sports in a major way. To sum this section up, the availability of all these content providers means a bigger chance of people noticing you.

Personality is seen on YouTube and interviews and on the field

Being a fierce competitor but losing and showing tears, shows a personal side of your personality. It shows you have a heart when you show a strong emotion. By displaying strong emotions on the field and off, causes people to remember you. They feel closer to you. You have connected with them.

Building a Fan Base

In the times since Anna Kournikova was the number one searched person on the internet, many things have changed. You should start by making your own website, and releasing your own thoughts and your own approved photos. This means having photo shoots, photos while playing your sport, and as many candid photos as possible. To build a crazily fierce fan base, (release not on your website) photos bent over, photos scratching your back, photos of any tattoo’s, photos in spandex, photos in bikini or swimsuit, photos on the beach or in the water.

The boyfriend or girlfriend

While Anna kept her marriages private, she was seen with certain men that people were equally crazy for. Sergai Federov, while he was a top athlete in professional hockey in Rusia and the USA, he did not have the sexual power of Anna and Enrique Iglesis. Aim high or date often. Getting out, while it is tiring after a hard training, is very important to your popularity and ultimately your marketability.

Lets talk about your career

When you seek a publicist who specialises in marketing an athlete as a celebrity, you should look for people like Rob Tencer. Rob’s analyses of your strengths, weaknesses, emotions and personality as well as your inner and outer beauty are all looked at with a professional and experienced mind.

Who is the next Anna Kournikova going to be, and where will she or he come from?

Will it be a European country? Will it be a Latin American country? Will it be from down under or an Asian country? What language will he or she speak? Do you remember Anna Kournikova speaking? What sport will the next Anna Kournikova come from? Will the next Anna Kournikova be you?

If you would like to learn more about reproducing the Anna Kournikova effect, then you should write and let me know.

Contact Rob Tencer at ayepublicrelations@gmail.com

Thursday, July 12, 2007

Open casting call for Teen High School Musical - How Do I get into the movie?

Information for getting a part in the next teen musical. Do you want to be the next: Corbin Bleu, Ashley Tisdale, Zac Efron, Olesya Rulin and Vanessa Anne Hudgens. how to contact all the right people.

Look here for HSM 3 and other teen audition updates

Everyone starts somewhere:
Sometimes a Disney actress or actor starts out with an agent or manager that is also a parent. Sometimes they lived in a big city and find a good agent that sticks with them throughout their career. Lastly, sometimes they become to big for their current manager, agent and get a big time player, that can help them with their career in a way that the smaller ones could never do.

How do I contact my favorite cast member of High School Musical 2?
The next few posts will have a list of the cast members to Disney’s High School Musical 2, including all the information you could use to contact them. Another way of using the information is to contact their manager or agent about representing you.

Look here for HSM 3 and other teen audition updates

Find out more about the Author of this blog at his website Rob Tencer pr.


If you find this information valuable and helpful, please link to this blog, tag this blog on your favorite social bookmark like Reddit, Netscape, Del.Icio.Us, StumbleUpon, Slashdot, and to place my link on your myspace and facebook pages.

How can I become famous, and get on a Disney show or movie?
Another thing you can do to become famous and to maybe work on a Children's TV show, is to send your photo and any Youtube video links to
Rob Tencer at ayepublicrelations@gmail.com I will personally place your YouTube link, Your photo and my comments on a new blog posting just for you.

Update:
What kind of video audition to place on YouTube?
Pick your favorite scene from any High School Teen Musical and re-enact the scene. If you don't have a favorite scene, then pick any part to re-enact.
Place your audition anywhere on YouTube. Send me the link (URL) of where you placed it. We will embed all the video's onto one site for viewing by anyone interested in hiring teens for TV and Movie projects. DON'T FORGET TO SEND A LINK OF YOUR VIDEO to ayepublicrelations@gmail.com and good luck.


Warning: (If anyone wants to contact you)

I recommend against direct contact, so I will place my email as your contact. When I contact you by phone or email, please include your parent or guardian’s name so I can forward them any interest people have in hiring you.

Note:
I am not asking for any money for doing this, as I want to help any teen become famous. Please, when there is an interest, remember to hire someone like Rob Tencer (Me) to be your publicist.



Find out more about the Author of this blog at his website Rob Tencer pr.

Jade Yorker (Kobe Bryant)
TM Talent
Tamara Markowitz
Manager
tmtalent@aol.com

Rob Tencer Public Relations
ayepublicrelations@gmail.com
Find out more about the Author of this blog at his website Rob Tencer pr.

If you find this information valuable and helpful, please link to this blog, tag this blog on your favourite social bookmark like Reddit, Netscape, Del.Icio.Us, StumbleUpon, Slashdot, and to place my link on your myspace and facebook pages.


Find out much more about becoming famous from the following links:
more information about teen projects:
The project that you are invited to audition for is similar to high school musical and school of rock. The teens of this story evolve from elementary school, while continuing their education to high school. The teachers help the teens discover talents while growing up. the emphasis is on the educators who have impacted their lives. the cast will include teens of all ages and adults to play the teachers, parents and principal, and school board of education.

The elemantary teachers have a very unorthodox style of teaching, and the parents want them removed. The school board transfers them to teach at a high school. The teens show the true impact that the teachers had on their lives and are reunited in high school in singing, dancing and of course acting.
The idea is that the teachers will continue to educate new students every year, while the current students, depending on their age, will have graduated. The series of movies planned has a new group of students in each movie made. Once again, the emphasis is on the educators, and the impact they have on their students.

Teens can return in other parts, such as a family member of a younger brother and sister.

Tuesday, July 10, 2007

I Am In The New Harry Potter Movie


Why is it that the studio only protects 3 stars in Harry Potter, and leaves me to seek my own publicity?

At the London premiere for Harry Potter’s latest movie, Harry Potter and the Order of the Phoenix, several photo shoots were done with just 3 of the many Potter cast.


This proves a point of mine that the studio picks the main cast members while the others don’t have the same opportunity to further their career beyond the Harry Potter franchise.

If you’re a young actor in the Harry Potter franchise, or if you find yourself in a blockbuster film and you’re not one of the protected few that will get most of the press, you need to be proactive and do something about it.

Find out more about how to get the press you deserve Press Kit for helping your career and contact a great publicist at his website Rob Tencer pr.


First, make sure you take candid cast photos of yourself with the main characters. The studio press photographer will not do this for you, and you must bring your own camera to take the photos. Another point on the studio photographer is that his photos are the property of the studio and not for helping your career.



Hiring a publicist to carve out some room for your name and image in the press is imperative to your young career. The publicist will unlock the door to new opportunities for you.



My name is mentioned below. Guess who I am.

Here is the contact information for me and my co-stars for contacting us through our agents, managers and publicists:

Find out more about the Author of this blog at his website Rob Tencer pr.


Daniel Radcliffe
Artist Rights Group (A.R.G) Talent Agent
4 Great Portland St.
LondonW1W 8PA
UK
Phone: +44 2074366400
Fax: +44 2074366700
argall@argtalent.com

Special Artists Agency
Alix Gucovsky Talent Agent 9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688

Nelson Felker Toczek Davis Fred Toczek
Legal Representative 10880 Wilshire Boulevard
Suite 2070
Los Angeles, CA 90024
USA
Phone: 310-441-8000
Fax: 310-441-8010
Find out more about the Author of this blog at his website Rob Tencer pr.



Harry Melling

Ken McReddie Associates
Sandy Rees
Talent Agent 36 - 40 Glasshouse Street
LondonW1B 5DL
UK
Phone: +44 (0) 20 7439 1456
Fax: +44 (0) 20 7734 6530
http://www.kenmcreddie.com
sandy@kenmcreddie.com
Find out more about the Author of this blog at his website Rob Tencer pr.

Emma Watson

Special Artists Agency
Talent Agent 9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688

Storm Model Management Simon Chambers
Talent Agent-Modeling
5 Jubilee Place
LondonSW3 3TD
UK
Phone: +44 20 7376 7764
http://www.stormmodels.co.uk
simon@stormmodels.co.uk
Find out more about the Author of this blog at his website Rob Tencer pr.


Jade Yorker
TM Talent
Tamara Markowitz
Manager Phone: 732-972-4957
Fax: 732-972-2980
tmtalent@aol.com

Rob Tencer Public Relations
ayepublicrelations@gmail.com
248-808-2270
Find out more about the Author of this blog at his website Rob Tencer pr.


Tom felton
Special Artists Agency
Talent Agent
9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688
Find out more about the Author of this blog at his website Rob Tencer pr.

Bonnie wright
Phone: 020 7344 1010
Fax: 020 7836 9544

Peters Fraser & Dunlop (PFD)
Ruth A Young Talent Agent
Drury House
34-43 Russell St.
LondonWC2B 5HA
UK
Phone: + 44 (0)20 7344 1010
Fax: + 44 (0)20 7836 9544
http://www.pfd.co.uk/agents/ryoung.html
hgillingham@pfd.co.uk
Find out more about the Author of this blog at his website Rob Tencer pr.


Robert Pattinson

Curtis Brown Group
Sarah Spear Talent Agent
Haymarket House
28 - 29 Haymarket
LondonSW1Y 4SP
UK
Phone: +44 (020) 7393 4400
Fax: 020 7396 0110
http://www.curtisbrown.co.uk
spear@curtisbrown.co.uk

Endeavor Agency
Stephanie Ritz Talent Agent
9601 Wilshire Blvd.
3rd Floor
Beverly Hills, CA 90210
USA
Phone: 310-248-2000
Fax: 310-248-2020
Find out more about the Author of this blog at his website Rob Tencer pr.

Robert Jarvis
Special Artists Agency
Talent Agent 9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688
Bonnie wright
Phone: 020 7344 1010
Fax: 020 7836 9544
Find out more about the Author of this blog at his website Rob Tencer pr.

Matthew Lewis
Curtis Brown Group
Sarah Spear Talent Agent
Haymarket House
28 - 29 Haymarket
LondonSW1Y 4SP
UK
Phone: +44 (020) 7393 4400
Fax: 020 7396 0110
http://www.curtisbrown.co.uk
spear@curtisbrown.co.uk

Find out more about the Author of this blog at his website Rob Tencer pr.

Afshan Azad
Gordon and French
Talent Agent
12/13 Poland Street
London W1F 8QB
UK
Phone: + 44 207 7344818
Fax: +44 207 7344832
http://www.gordonandfrench.net
mail@gordonandfrench.net
Find out more about the Author of this blog at his website Rob Tencer pr.

Devon Murray
Special Artists Agency
Talent Agent 9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688
Find out more about the Author of this blog at his website Rob Tencer pr.

Shetali Chowdhury
Special Artists Agency
Talent Agent 9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688
Find out more about the Author of this blog at his website Rob Tencer pr.

Alfie Enoch
Special Artists Agency
Talent Agent 9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688
Find out more about the Author of this blog at his website Rob Tencer pr.

Josh Herdman
Special Artists Agency
Talent Agent 9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688
Find out more about the Author of this blog at his website Rob Tencer pr.


Evanna Lynch
Special Artists Agency
Talent Agent 9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688
Find out more about the Author of this blog at his website Rob Tencer pr.

James Utechin
Special Artists Agency
Talent Agent 9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688
Find out more about the Author of this blog at his website Rob Tencer pr.


Charles Hughes
Special Artists Agency
Talent Agent 9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688
Find out more about the Author of this blog at his website Rob Tencer pr.


Jamie Waylett
Phone: +44 (0)7956 308 007
inniss@blueyonder.co.uk
Find out more about the Author of this blog at his website Rob Tencer pr.



Rupert Grint
Special Artists Agency
Talent Agent 9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688

Actual Management
Manager 7 Great Russell Street LondonWC1B 3NH
UK
Phone: +44 020 76314422
Fax: +44 0870 874 1199
http://www.actualmanagement.co.uk/
agents@actualmanagement.co.uk

Loeb and Loeb
Legal Representative 10100 Santa Monica Blvd.
Ste. 200
Los Angeles, CA 90067-4164
USA
Phone: 310-282-2000
Fax: 310-282-2200
http://www.loeb.com
Find out more about the Author of this blog at his website Rob Tencer pr.


Alec Hopkins
Special Artists Agency
Talent Agent 9465 Wilshire Blvd
Ste. 890
Beverly Hills, CA 90212
USA
Phone: 310-859-9688
Find out more about the Author of this blog at his website Rob Tencer pr.



Bonnie Wright
Phone: 020 7344 1010
Fax: 020 7836 9544

Find out more about the Author of this blog at his website Rob Tencer pr.


James Walters
Twothreefive LTD.
Twothreefive Pictures Ltd
(London and Los Angeles) Head office
London 107-109 Temple Chambers
EC4Y-OHP
UK
Phone: +44 (0) 207 936 3888
http://www.twothreefivepictures.com/
management@twothreefivepictures.com

Find out more about the Author of this blog at his website Rob Tencer pr.

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